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Q&A with actor turned director Nam Yeon-woo: “I Feel Alive When I’m Directing”

Actor/director Nam Yeon-woo

Actor/director Nam Yeon-woo

As the feature directorial debut of actor Nam Yeon-woo, Lost to Shame premiered at last year’s Busan International Film Festival and I honestly can say it was among my favorites in 2016 along with Our Love Story (dir. LEE Hyun-ju), The World of Us (dir. Yoon Ga-eun) and Worst Woman (dir. Kim Jong-kwan). It proved ones again (just as the rest of the above mentioned movies) that even without a gigantic budget a good film can be made – as long as you have a well written story, a good ensemble cast and a director with vision. It was a breath of fresh air among the numerous Korean blockbusters lately, which despite the millions invested in them and the starry cast, failed to engage and move me.

The strongest point of Lost to Shame is its very human story. I believe many people might identify themselves with the main character – a heterosexual young man who gets confronted with the world of the LGBT community and finds out that overcoming his prejudice is easier said than done.

Fans of Korean independent cinema know best Nam Yeon-woo from his acclaimed performance in the 2013’s movie Fatal (dir. by Lee Don-ku). This time he not only directed and produced Lost too Shame, but also wrote the script and was in the leading role. The movie already has 2 awards under its belt: the audience prize at the Seoul Pride Film Festival and the New Choice Award at the Seoul Independent Film Festival.

The story: Song-jun is an unknown actor who often has to borrow money from his brother to get by. One day Song-jun is cast as the lead in a famous play about homosexuality and has to portray a transgender. While trying to improve his acting, he enters the LGBT community. But just when he thinks he’s come to understand homosexual love, a shocking revelation shakes him.

In Lost to Shame you are not only in front of the camera as an actor but also behind it – as director. Why?

– The main reason for me also to direct is the type of roles and stories I want to experiment with. Since for now I don’t have that many scripts sent to me as an actor, I just decided to write the part I wanted to play and about a subject that’s important to me.

Entering the LGBT community unveils a new world for Song-jun

Entering the LGBT community unveils a new world for Song-jun

Did it feel different from being purely an actor in a film?

– When I am only acting, I concentrate on my role, I get ready only for that. But here there were so many things to think of, to prepare, to take care of, that sometimes I felt lost. Honestly, it was hard, very hard. Since the budget was really small, sometimes we had to shoot up to 10 scenes a day! So now when I look back, there are things that I as an actor regret for not having done better.

But in the end did you like directing a feature film?

– Yes. This feeling of seeing what you have imagined coming to reality… it’s amazing. When I direct I kind of feel alive!

How did you come up with the idea about this film?

– One night I was out with friends. The people sitting at the table next to us started discussing homosexuality. Everybody was like, “It is OK to be gay”, “I have no problem with it”, “I understand those people”… and then one person said that according to him being gay is just not right. All of a sudden the atmosphere changed.

At first I didn’t pay much attention to this conversation but then on my way home I started thinking about it. It got stuck into my head: Do people who say they understand really understand?

Since you yourself are a heterosexual man, did you research LGBT issues while getting ready for the film?

– For sure. I was worried to portray the LGBT characters in an over-the-top way or as caricatures. I wanted their portrayal to be as realistic as possible so when I finished the script I gave it to gay and transgender friends to give me feedback. They would also come while I was doing the casting and then rehearsing and shooting – they would watch for the actors not to exaggerate, to be authentic in terms of way of talking and gestures.

The actor who plays the role of a transgender even lived for one month with a transgender person.

In portraying a transgendered protagonist, Song-jun experiences revelations

None of the actors are part of the LGBT community in real life

Why didn’t you cast a transgender actor?

– For me as an actor changing myself, transitioning to somebody I am not means acting. So since I really wanted to see this kind of complete change I chose an actor who is as far from the image of a transgender person as you can think. Besides if I would have casted real LGBT people I wouldn’t have known what kind of directions to give to them as a director.

What was the reaction from the LGBT community after they saw the film?

– Even before completing the movie, when people from the LGBT community read the script, they said that it is a good story, with something new in it. Usually LGBT-themed movies talk about the love that is not meant to be, the Romeo-and-Juliet kind of love. But Lost to Shame is different from them. Do you know the director Kim Jho Gwang-soo?

Yes – he is one of the few openly gay Korean film directors and a renowned LGBT rights activist.

– Exactly. We showed the film to him and he said that as many people as possible should see it. So he even recommended it to the Seoul Pride Film Festival where we received the audience prize.

Song-jun reflects on his life-changing role

Song-jun just before taking to the stage

When you think of the film’s main character, do you share his opinion? He gets confronted with the LGBT community in unexpected ways.

– He is definitely not the same as me, that’s for sure. But honestly, before writing the script me too I hadn’t given a lot of thought to the LGBT issues – whether I understand the queer community or not. But when I started writing, I watched a lot of documentaries, met many gay and transgender people and I think I started to understand them. Or actually rather than understanding them, I got to know them.

What was the most difficult thing while shooting the movie?

– The lack of money. (He laughs but then becomes serious again:) No, really – since we didn’t have enough money we had to shoot so many scenes per day!

And one more thing bothered me: lots of friends came to help me. And while trying to help me, they would try and talk to me, give me their opinion or advice about stuff. But since I had to do like million things simultaneously, there were times when I didn’t give them the attention they deserved – I kind of ignored them while I should have answered to them regardless of whether I agreed with what they said or not. So in the evening on my way home, after wrapping up for the day, I would think “Why did I treat them like that? Why did I hurt those people who just wanted to help me?” That was the most difficult thing to me.

There is a scene in the movie where we see a theater full of people! How did you organize this?

– It was a miracle. A pure miracle. Paying extras was way over our budget so some 10 days before shooting the scene me and the crew members started calling all the people we know. We would explain to them about the movie and ask if they could come, if they could bring friends along…

The day we had to shoot the scene happened to be the coldest day in January last year. Not only this but it was also snowing AND it was a Monday. The thing is the only day we could book the theater was on Monday when it’s closed. So basically till the last minute we didn’t know how many people would come… if anybody would come at all!!!

And then I stepped out on the stage and saw the theater full with people! I cried… And all my friends who helped this to happen cried too! I am so grateful to all of them.

Song-jun takes to stage

Bringing a real audience for this scene was a pure miracle for director Nam

So what’s next for you?

– Well, I am working on another feature-length script. But in the meantime I am wondering whether or not to shoot a short film…and of course I am looking at different scripts as an actor.

At last year’s Bucheon International Fantastic Film Festival I saw a film you were in a supporting role: The Cabinet of Francis. Although it was a feature it was a film made by university students. Was it hard during the shoot?

– It was, but as long as a role matches my acting style, I am open to any kind of projects. Besides the actor in the leading role was my classmate from the university and he asked me to help. So after reading the script I thought it would be interesting to act together with him in such a project. And we were shooting in Jeju-do – I really, really like it there!

Lost to Shame will screen nationwide throughout Korea in September 2017.

Furthermore, Lost to Shame will screen with a Q&A at Seoul Art Cinema on February 26th.

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Directors Film News Interviews/Q&As
Don't Forget still 3

Jan 2016 – K-Film Preview

January 7th

Don't Forget Me (나를 잊지 말아요)

Remember You (나를 잊지 말아요)

Remember You (나를 잊지 말아요)

Director: Lee Yoon-jung

Cast: Jeong Woo-sung, Kim Ha-neul

Distributor: CJ Entertainment

Synopsis: When Seok-won loses the past 10 years of his memory due to an accident, he struggles to piece together his existence and discover the life he once had. However upon meeting Jin-young his memories start to return as love blossoms between them.

The Lowdown: Director Lee Yoon-jung developed Remember You from her celebrated short film Remember O Goddess, initially turning to kickstarter to generate funding before superstar Jeong Woo-sung – whom became friends with director Lee while she worked as a script supervisor on The Good, The Bad, The Weird – came on board as both producer and actor. After around two years of production, Remember You is finally being released alongside a significant advertising campaign from distributors CJ.

Catch Him to Survive (잡아야 산다)

Catch Him to Survive (잡아야 산다)

Catch Him to Survive (잡아야 산다)

Director: Oh In-chun

Cast: Kim Seung-woo, Kim Jeong-tae

Distributor: OPUS Pictures

Synopsis: When two friends – one a CEO and the other a police officer – have their phone and gun taken by a group of high school delinquents, they must work together to track down the thieves and recover their stolen goods.

The lowdown: Action-comedy Catch Him to Survive seems quite a departure for director Oh In-chun, who previously impressed with horror-drama Mourning Grave. Judging from the trailer (see below) the film looks set to be a madcap caper with promising chemistry from veteran leads Kim Seung-woo and Kim Jeong-tae (who, ironically, was originally cast in Remember You [see above] before leaving the project due to scheduling conflicts). Catch Him to Survive also marks the big screen debut for four young actors, including Hyuk from Kpop band VIXX.

January 14th

Mood of the Day (그날의 분위기)

Mood of the Day (그날의 분위기)

Mood of the Day (그날의 분위기)

Director: Jo Kyu-jang

Cast: Moon Chae-won, Yoo Yeon-seok

Distributor: Showbox

Synopsis: While on a business trip to Busan, Soo-jung meets lothario Jae-hyun and is instantly repulsed by his suggestion of spending the night together. However when the journey doesn’t go according to plan they are forced to travel together, and the duo find themselves becoming close.

The lowdown: Mood of the Day is another romantic outing for stars Moon Chae-won and Yoo Yeon-seok, who dabbled with the genre in last year’s Love Forecast and Beauty Inside, respectively. Their collaboration appears to be quite a comical take on modern relationships, and it will be interesting to see if director Jo Kyu-jang can avoid the cliches and offer something fresh for audiences.

January

Robot, Sori (로봇, 소리)

Robot, Sori (로봇, 소리)

Robot, Sori (로봇, 소리)

Director: Lee Ho-jae

Cast: Lee Sung-min, Lee Hee-joon, Lee Honey, Chae Soo-bin

Distributor: Lotte Entertainment

Synopsis: Tragically, Hae-gwan lost his daughter 10 years ago although he refuses to give up on finding the youngster again. Unbeknownst to the distraught father is that an AI satellite with voice-recognition capabilities is circling the globe, and upon crash landing in Korea, helps Hae-gwan to be reunited with his daughter.

The lowdown: With a narrative that is particularly reminiscent of animated tale Satellite Girl and Milk Cow, Robot Sori looks set to be a heart-warming family sci-fi drama. Lee Sung-min has starred in a staggering number of films and TV drama series since his debut, though his star power increased dramatically following his turn in hit TV show Missing, resulting in his lead role in Robot Sori.

A Melody to Remember (오빠 생각)

A Melody to Remember (오빠 생각)

A Melody to Remember (오빠 생각)

Director: Lee Han

Cast: Siwan, Ko Ah-sung

Distributor: Next World Entertainment

Synopsis: As war ravages Korea during the early 1950s, Second Lieutenant Han Sang-Yeol discovers a village while leading his platoon. Moved by the children of the village who have lost everything, Sang-yeol vows to protect them.

The lowdown: Director Lee Han is back in cinemas after helming impressive family dramas Punch and Thread of Lies, though this outing sees the filmmaker tackling war as a major component. Featuring Siwan, whose star power is steadily rising following roles in The Attorney and TV drama Misaeng, A Melody to Remember – or more literally translated as Thinking of my Older Brother – looks to be a war-era tear-jerker.

Film News
2015 in review

Top Ten Korean Films of 2015

2015 in review

As 2015 draws to a close, it’s the perfect time to review the highs and lows the Korean film industry experienced over the past 12 months.

As the final figures roll in it’s clear that, commercially speaking, 2015 has been a stellar year with much to celebrate. In early December the Korean Film Council announced admissions had hit over 200 million whilst stating total sales of over KRW 1.58 trillion (USD 1.34 billion); two films achieved over 10 million admissions, while six now feature in the top 50 highest grossing Korean film of all time (source: KoBiz). Furthermore, the year still isn’t over as the figures for Himalaya, The Tiger, and The Joseon Magician still haven’t been finalised and look set to add more gains to already impressive figures.

However in terms of quality output 2015 was an especially weak year for Korean cinema. In Hanguk Yeonghwa’s review of 2014 I stated the year had been a lackluster one for K-film and, as much as it pains me to say it, 2015 was worse.

Gangnam Blues (강남 1970)

Gangnam Blues (강남 1970)

In fact, the first six months of 2015 were so woeful for the industry that media outlets were forced to acknowledge that, “only 40.7 percent, or 35.46 million cinemagoers saw a Korean film this year, a record low since statistics began in 2004.” (source: Chosun Ilbo, June 19). Many spectators blamed the low attendance on the dominance of big Hollywood films including Avengers: Age of Ultron and Jurassic World, yet critics were also keen to point out that while production values in K-films were significantly improving, Korean output was generally becoming increasingly generic and made for profit which turned local audiences towards international fare.

The year began with the continued dominance of historical epic Ode to My Father, which ultimately went on to become the second highest grossing film in K-cinema history. While critics were upset with the film’s continued presence in multiplexes, there also weren’t any strong new releases to topple it as despite a slew of high profile titles appearing in cinemas from January to June – including Gangnam Blues, C’est Si Bon, Detective K 2, Empire of Lust, Twenty, The Treacherous, The Silenced and many more – they were met largely with audience indifference.

Coin Locker Girl (차이나타운)

Coin Locker Girl (차이나타운)

During this period however, K-cinema saw international success as four titles – Coin Locker Girl, The Shameless, Madonna and Office – were selected to represent Korea at the Cannes International Film Festival in May. While their selection is cause to celebrate, these films too were met with a muted response by critics and audiences alike when released across the peninsula, although Coin Locker Girl notably exceeded expectations.

Thankfully, the doom and gloom was lifted in summer. The release of uber-patriotic Northern Limit Line in June was a big success hauling $38.9 million, while a month later ever-reliable director Choi Dong-hoon’s blockbuster Assassination scored over $84 million to become the filmmaker’s biggest ever opening, and currently sits comfortably in seventh place on the list of highest grossing Koreans films of all time. Expectations of the spy-thriller’s longevity turned out to be somewhat exaggerated however as a week later Tom Cruise vehicle Mission Impossible 5 went straight to the top spot, but early August saw the release of Ryoo Seung-wan’s Veteran which became a huge hit with audiences and, thanks to positive word of mouth, surpassed predictions to scoop up the lion’s share of audience revenue to become the biggest film of the year and the third biggest film in K-cinema history securing $89.8 million.

The Himalayas (히말라야)

The Himalayas (히말라야)

Such positivity was continued in November as The Priests and Inside Men defied predictions and became sleeper hits with $36.2 million and $46.8 million, respectively, and helped to propel actor Lee Byung-hun back into some positive limelight.

December saw The Himalayas and The Tiger appear in cinemas a day before Star Wars: The Force Awakens. The face-off was widely publicised as a victory for the Korean Wave as, “The Himalayas grossed $8.7 million from Thursday to Sunday, topping The Force Awakens‘ $7.9 million performance over the same period” (source: The Hollywood Reporter). While such articles generally failed to take into account the difference in screen share between the films involved, the Korean film industry took the final figures as a triumphant way to end the year.

Ultimately, 2015 was a highly lucrative year for the industry with cinema attendance hitting yet another record high and Korean films attaining around 52% of the market share (source: Chosun Ilbo).

Now that the year is over, here are Hanguk Yeonghwa’s top ten Korean films of 2015.

INTRO – 10 – 9 – 8 – 7 – 6 – 5 – 4 – 3 – 2 – 1

(N.B. While every effort has been made throughout the past 12 months to see all Korean film output unfortunately due to constraints, it wasn’t possible to see Inside Men at the time of writing. As such this list is subject to change once the film has been seen.)

___________________________________________________________________

Top 10 Korean Films of 2014 – Most Memorable Moments of 2014

Top 10 Korean Films of 2013 – Most Memorable Moments of 2013

Film News
Advocate

The Advocate: A Missing Body gets an English subtitled trailer

The Advocate: A Missing Body (성난 변호사)

The Advocate: A Missing Body (성난 변호사)

The Advocate: A Missing Body (성난 변호사) – or more literally translated as Angry Attorney – has received an English subtitled trailer ahead of its release on October 8th in Korea.

The film stars Lee Seon-gyoon as top lawyer Byeon Ho-seong, an arrogant man with a reputation for winning even the most difficult cases despite the odds. Yet when a new case presents itself, one without any evidence or even a body, he is forced to team with Kim Go-eun’s prosecutor Jin Seon-min, whereby the duo begin to learn of an insidious plot.

The Advocate is the second film by director Huh Jong-Ho, who previously helmed crime thriller Countdown with Jeon Do-yeon and Jung Jae-young.

Actor Lee Seon-gyoon is red hot at the moment having recently starred in a strong of celebrated films including A Hard Day, Our Sunhi, Nobody’s Daughter Haewon, and All About My Wife. Kim Go-eun has also been busy cementing her status among the A-list since her debut in A Muse, with turns in Memories of the Sword and Coin Locker Girl.

For the trailer The Advocate: A Missing Body, please see below.

Film News
Memories of the Sword (협녀: 칼의 기억)

Lee Byung-hun’s Comeback ‘Memories of the Sword (협녀: 칼의 기억)’ Gets English Subtitled Trailer

Memories of the Sword (협녀: 칼의 기억)

Memories of the Sword (협녀: 칼의 기억)

Martial arts period drama Memories of the Sword has finally received a teaser trailer with English subtitles.

Originally set for release at the end of 2014, the film was reportedly delayed due to the blackmail scandal involving Lee Byung-hun, yet as the issue has now subsided an August 2015 date has been announced.

The swordplay epic follows the exploits of three warriors during the Goryeo dynasty who instigate an uprising, yet when their plan is finally set to achieve fruition master swordsman Deok-gi (Lee Byung-hun) betrays his comrades. To escape his wrath, Seol-rang (Jeon Do-yeon) flees with her young daughter to a place he can never find them. Eighteen years later, Deok-gi has positioned himself as a powerful ruler while Seol-rang – now blind – trains her daughter Seol-hee (Kim Go-eun) in ways of martial arts, preparing to exact her bloody revenge.

Directed and co-written by Park Heung-sik – who previously worked with Jeon Do-yeon on My Mother the Mermaid (2004) and I Wish I Had A Wife (2001) – Memories of the Sword will be a real test of the combined star power of three of Korea’s top tier actors, as well as a good indicator as to whether Korean cinema-goers have gotten over Lee’s transgressions.

MotS Kim Go-eun

MotS Kim Go-eun

MotS Lee Byeong-heon

MotS Lee Byeong-heon

MotS Jeon Do-yeon

MotS Jeon Do-yeon

Film News
The Piper (손님)

Fantasy-thriller The Piper receives an English subtitled trailer

The Piper (손님)

The Piper (손님)

The Piper (손님) – or more literally translated as The Guest – has received an English subtitled trailer ahead of its July 9th release date in Korea.

Loosely based on the classic tale of The Pied Piper of Hamelin, the fantasy-thriller is about a father and his sickly boy who, shortly after the Korean War, find themselves at a strange remote village in the mountains on their way to Seoul. Intending to stay there only for a day before moving on, the duo start to experience surreal events amongst the citizens that leads the father to pick up his mysterious pipe.

First time director Kim Kwang-tae takes the helm, although he has previously worked as an assistant director on erotic period drama Untold Scandal and romance flick Almost Love.

The Piper also features some of Korean cinema’s incredible acting talent. With Ryoo Seung-ryong (The Admiral) in the lead as the father and Lee Sung-min (Kundo: Age of the Rampant) as the village elder, the film also includes Chun Woo-hee (Han Gong-ju) and popular star Lee Joon (Rough Play), as well as child actor Goo Seung-hyeon (The Fatal Encounter).

Please see below for the English subbed trailer.

The Piper

Film News
Perfect Proposal (은밀한 유혹)

Perfect Proposal (은밀한 유혹) gets an English Subbed Trailer

Perfect Proposal (은밀한 유혹)

Perfect Proposal (은밀한 유혹)

Steamy thriller Perfect Proposal – or more literally translated as Secret Temptation – has received an English subtitled trailer ahead of its June 4th release date in Korea.

Based on French novel “La Femme de paille” (Woman of Straw) by Catherine Arley, the scandalous story depicts an ambitious young man (Yoo Yeon-seok (유연석) attempting to scheme a fortune from his sickly uncle (Lee Kyeong-yeong (이경영), enlisting the help of an attractive yet heavily-indebted woman (Im Soo-jeong (임수정) to do so. If she can marry the old man and manipulate him into changing his will so that she inherits his fortune, the pair will be rich forever more. Yet things don’t turn out as planned.

Director Yoon Jae-goo (윤재구), who previously helmed Secret (2009) and wrote Seven Days (2007), adapted the screenplay as well as taking the megaphone, and it will be interesting to see how he has interpreted such thrillingly seductive source material.

Perfect Proposal also signifies the return of actress Im Soo-jeong after a three year absence from the big screen, and playing a particularly different role from her last outing in Everything About My Wife.

For the English subbed trailer, please see below.

Film News