Seoul International Women’s Film Festival 2015

SIWFF POSTERThe Seoul International Women’s Film Festival (SIWFF) is due to be held from May 27th to June 3rd, at Megabox Sinchon and Arthouse Momo theaters near Ewha Women’s University.

Now in it’s 17th edition, the festival continues to feature successful categories such as New Currents, Polemics #IAmAFeminist, and Queer Rainbow that explore the lives of contemporary women around the globe.

Yet this year SIWFF organisers have added an extra element to help promote the event for the first time in the festival’s history – an honorary ambassador titled ‘Feminista.’ The first Feminista is actress Kim Ah-joong, the star of films including 200 Pounds Beauty and My P.S. Partner.

SIWFF 2015 will open with Berlinale Crystal Bear winner My Skinny Sister, which leads nicely into this year’s special focus program, The Equal Power of Swedish Women’s Cinema, which contains an impressive 21 titles.

However, let’s take a look at some of the Korean films due to be screened at SIWFF 2015.

New Currents

21& – director Kim A-ra (김아라)

Disillusionment for those in their early twenties is rife

Disillusionment for those in their early twenties is rife

Young filmmaker Kim A-ra explores the disillusionment and frustrations of Koreans in their early twenties in documentary 21&. After studying extremely hard in Korea’s brutal education system, the youngsters are looking forward to working towards achieving their ambitions…but is it possible?

A Girl at My Door (도희야) – director Jung July (정주리)

Do-hee is a victim of terrible domestic abuse in the country town

Do-hee is a victim of terrible domestic abuse in the country town

Premiering at Cannes in Un Certain Regard before appearing at Toronto and Busan, A Girl at My Door is an incredible and empowering drama exploring the lives of those on the margins of contemporary society. Featuring outstanding performances by actresses Bae Doo-na and Kim Sae-ron, and with confident and assured direction under the gaze of July Jung, this is a great opportunity to catch the film again on the big screen. Read the review here.

Heart of Snow, Heart of Blood (눈의 마음: 슬픔이 우리를 데려가는 곳) – director Kim Jeong (김정)

Korean descendants born in Uzbekistan have a complex history

Korean descendants born in Uzbekistan have a complex history

Documentary Heart of Blood, Heart of Snow follows the life of Alex Kim, a descendant of Koreans who were forcibly relocated to Uzbekistan by Stalin. Yet while there his family wealth is confiscated, and he becomes the owner of a restaurant. Director Kim Jeong uses Alex’s story to examine the turbulent history of those who fled the Korean War, only to become struggling nomadic migrants.

The Liar (거짓말) – director Kim Dong-myeong (김동명)

Ah-young's lies explore the materialism of society

Ah-young’s lies explore the materialism of society

Talented independent actress Kim Kkob-bi takes centre stage in drama The Liar. The film examines the importance of social status, material wealth and physical appearances in Korean society through the lies told by Ah-young, the central  protagonist who dreams of a life of luxury away from her current reality. Director Kim’s drama premiered at Busan Film Festival last year.

Polemics #IAmAFeminist

Cart (카트) – director Boo Ji-young (부지영)

As tensions escalate, Seon-hee and Hye-mi fight back against their affluent male abusers

As tensions escalate, Seon-hee and Hye-mi fight back against their affluent male abusers

Based on a true story, Cart depicts the outcry and shocking abuse of workers rights as the managers of a supermarket chain attempt to fire their staff and replace them with part-timers. Yet many of the current workforce are struggling single mothers, students, or those nearing retirement. Premiering at Toronto before screening at Rotterdam and Busan, Cart is an impressive social drama. Read the review here.

The Emotional Society on Stage (감정의 시대:서비스 노동의 관계미학) – director Kim Sook-hyun (김숙현), Cho Hye-jeong (조혜정)

The roles we perform come under scrutiny

The roles we perform come under scrutiny

Experimental documentary The Emotional Society on Stage examines the roles people are forced into within society, and notably if it’s possible to break such cultural forms through performance. The 24 minute film previously appeared at the 2015 Jeonju Film Festival, as well as The Seoul Independent Documentary Film and Video Festival in the same year.

Queer Rainbow

Sinchon Bouncy Ball (신촌탱탱볼) – director Lee Min-jeong (이민정)

Homosexuality is still very much taboo in Korea

Homosexuality is still very much taboo in Korea

 World premiere. Documentary Sinchon Bouncy Ball presents the issues concerned with sexuality in modern Korea through following student Rau as she prepares to complete a school project regarding gender identity. In examining the various areas of the debate Rau comes to develop her ideas on the nature of sexuality, love and identity.

Barrier Free Screening

How to Steal a Dog (개를 훔치는 완벽한 방법) – director Kim Seong-ho (김성호)

Can Ji-so steal a dog and help her family?

Can Ji-so steal a dog and help her family?

How to Steal a Dog was a successful indie film in Korea earlier this year, and has been selected for the ‘barrier free screening’ event, presented for both visually and hearing-impaired audiences.

The film depicts the tale of Ji-so and younger brother Ji-suk who spy a poster offering a big cash reward for finding a missing dog.

For more information, please visit the official SIWFF website here.

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Festival News Korean Film Festivals 2015 Seoul International Women's Film Festival (제 17회 서울국제여성영화제)

The 16th International Women’s Film Festival in Seoul

The 16th International Women’s Film Festival in Seoul (WFFIS) will begin from May the 29th, running through to June the 5th.

Featuring the tagline, “see the world through women’s eyes,” the festival employs programming that focuses on women’s issues and cinematic trends, as well as work from a variety of female filmmakers, in order to explore and debate the role of women in cinema. While WFFIS features international productions, greater focus on the role of Asian women in cinema is reflected through the programming.

In addition to familiar favourite categories including contemporary trend explorations in New Currents, the lesbian and bi-sexual focused Queer Rainbow, and the Asian Short Film and Video Competition, other exciting programming has also been announced. Asian Spectrum: Camera is my Heart! is dedicated to female Chinese documentary filmmakers, while Polemics: To Love Hot or Die Hard examines issues of love and romance in conjunction with economic and consumerist debates. Director Byun Young-joo’s trilogy committed to the struggles plaguing ‘comfort women’ is presented in Special Screening: The Murmuring – Resolving History While Still Breathing. Meanwhile, the life of Japanese actress Kagawa Kyoko is celebrated through A Life in Front of the Camera: Actress in Re/Action, KAGAWA Kyoko, which features an impressive line-up of 8 films from her career.

For the official WFFIS trailer, please see below:

Opening Film

For Those Who Can Tell No Tales

Director Jasmila Zbanic

For Those Who Can Tell No Tales

For Those Who Can Tell No Tales

Opening WFFIS 2014 will be Bosnia-Herzegovinan film For Those Who Can Tell No Tales by director Jasmila Zbanic. Award-winning director Zbanic has explored the issues effecting women in her home country, such as sexual war crimes by Serbian troops in Grbvica (2006) and religious discourses in Na putu (2010), throughout her career. In For Those Who Can Tell No Tales, an Australian tourist visits Bosnia for a holiday and throughout her travels slowly learns the traumatic history of the country, fundamentally changing her forever.

WFFIS 2014 will take place entirely at the Megabox on the 5th floor at the Migliore building, Sinchon. Please see below for the map and transportation information.

WFFIS 2014 Map

WFFIS 2014 Map

For the full list of programmes and screenings, please click on the link to be taken to the official WFFIS website.

Festival News Korean Festivals 2014