Bad Scene (배드신)

WFFIS 2013: Quick Fire Reviews 2

The quick-fire reviews featured here are from the Polemics: The Constellation of the Violence Against Women (쟁점: 보이지 않는 – 폭력의 관계구조) section:

Bad Scene (배드신)

Bad Scene (배드신)

Bad Scene (배드신) – 6/10

Bad Scene depicts the story of struggling actress Jin-hong who, due to her 28 years of age, fails to get the part of a high school student. However there is a role in the film suitable for her, but it involves a lot of nudity. Writer/director Jeon Go-woon (전고운) explores the internal conflict of a woman who wishes to succeed yet must use her body to do so, highlighting the serious issue of the physical exploitation of women in the workplace. Yet ironically the strength of the film doesn’t lie in the main story, but in events that surround it. Jin-hong tapes her breasts to be upright and perky, and sexualizes herself in school uniform, even before the nude role is offered.  In attempting to prepare for the sex scene, Jin-hong asks a male friend to help but in doing so is almost raped, as he protests that she, “started it.”  The psychological and psychical exhaustion she suffers are clear throughout, yet the main problem with Bad Scene is that in depicting her private life the film loses focus on the actual ‘bad scene’ itself and the way women are exploited on camera. A moving and thought-provoking drama that could of benefited from greater focus and/or an extra ten minutes for exploration.

Deviation (도착)

Deviation (도착)

Deviation (도착) – 5/10

Director Lee Min-beh (이민배) explores the ‘male gaze’ and the hypocrisy of masculinity in Deviation. On the subway Su-jin overhears men discussing the leak of a sex tape by a prominent actress, and the rampant misogyny in their ideology as they chastise the actress yet are excited by watching it. However the film then takes an awkward turn as Su-jin visits a police station due to the arrest of her boyfriend, who has been secretly taking pictures of women’s legs. The hypocrisy of the officers is explored as they accuse the boyfriend of perversion yet do so themselves, and make up appallingly sexist reasons for  the crime. Much of the running time is spent in the station which is unfortunate, as the conversations are generally pushed too far beyond the realm of believability for it to be of consequence. Yet director Lee does finish on an ironic and pertinent end note, by directly accusing the audience of sexism through the voyeurism of the camera itself, which is a nice touch.

My, No Mercy Home (잔인한 나의, 홈)

My No Mercy Home (잔인한 나의, 홈)

My No Mercy Home (잔인한 나의, 홈) – 7/10

Documentary My No Mercy Home is a powerful viewing experience, as director Aori (아오리) follows the court case of a young woman – nicknamed ‘Dolphin’ – as she sues her father for rape and sexual assault which commenced in the 8th grade. Yet what is truly shocking about this real-life story is how Dolphin’s family accuse her of lying, despite the evidence to the contrary, and ex-communicated by the mostly female members of the family. Technically the film is quite rough-around-the-edges, yet Dolphin’s story is so heart-breakingly sincere that it highly compelling, albeit difficult, viewing. One of the wonderful elements of My No Mercy Home is the emphasis on other women as villains; while the father is responsible for rape, it is Dolphin’s mother, aunt and sisters, as well as an ex-boyfriend’s mother and various others figures, who turn their backs on the truth and Dolphin’s suffering. While it would have benefited from greater technical prowess, the film is a  sincere and moving documentary.

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Festival News International Women's Film Festival in Seoul (서울국제여성영화제) Korean Festivals 2013 Reviews
The 15th International Women's Film Festival in Seoul

WFFIS 2013: Asian Short Film and Video Competition

The 15th International Women's Film Festival in Seoul

The 15th International Women’s Film Festival in Seoul

With so many exciting films centered around the representation of women in cinema and women’s issues, the International Women’s Film Festival in Seoul is gearing up to be a strong event for its 15th installment. Previously, the Korean offerings that have been explored here at Hanguk Yeonghwa emphasise the many and varied roles occupied by women in cinema, in New CurrentsThe Coming of Age in Asian Women Filmmaking and Violence Against Women, and Actress, Muse With A Movie Camera and Queer Rainbow: Queer x Feminism. Each of these categories serve to place a spotlight on the talented female filmmakers that exist within Korea, and their explorations of the great many contemporary challenges they face.

However every great film festival needs a competition, and WFFIS is no different. Here the Korean entries in the Asian Short Film and Video Competition are profiled, with an incredibly broad range of topics featured. From adolescent tales of puberty to desiring a first kiss, from a secret relationship with a foreigner to feminist figures, the short film competition has something strikes a chord with just about every age group.

Asian Short Film and Video Competition

The Bathhouse (목욕탕)

The Bathhouse (목욕탕)

The Bathhouse (목욕탕)

Director: Kim Ji-su (김지수)

Synopsis: This 7 minute animated film explores the sauna culture within Korea, where people soak themselves in pools of different temperatures. The style conveys something of a celebration of women’s bodies.

Beast Is My Middle Name (맹수는 나의 것)

Beast Is My Middle Name (맹수는 나의 것)

Beast Is My Middle Name (맹수는 나의 것)

Director: Kim Bo-ra (김보라)

Synopsis: Female sexuality is explored in this drama as student Ji-ran develops a fascination for Yu-jin’s thighs, and thoughts and fantasies begin to emerge.

BRA (브라자)

BRA (브라자)

BRA (브라자)

Director: Won Jan-di (원잔디)

Synopsis: BRA follows a young girl called Da-young, whose love for a man across the street leads her to desiring a bra like her friend wears. But will it provide confidence?

Chunjung (춘정)

Chunjung (춘정)

Chunjung (춘정)

Director: Lee Mi-rang (이미랑)

Synopsis: Drama Chunjung explores the life of a woman living in contemporary Korea, and her desire to create a home. Her work and relationships are also featured.

The Confession (못 다한 이야기)

The Confession (못 다한 이야기)

The Confession (못 다한 이야기)

Director: Kim Bo-mi (김보미)

Synopsis: This documentary is a heartfelt entry as the narrator explores the pain and loneliness of her separation from her ex-boyfriend.

Dictee-An Homage to Theresa Hak Kyung Cha (딕테-차학경 오마주)

Dictee-An Homage to Theresa Hak Kyung Cha (딕테-차학경 오마주)

Dictee-An Homage to Theresa Hak Kyung Cha (딕테-차학경 오마주)

Director: Mi-young (미영)

Synopsis: Murdered Korean-American artist Theresa Hak Kyung Cha’s life is the subject of this film, as her origins from the Korean War to her immigration to San Francisco to her death.

Fitting Room (피팅룸)

Fitting Room (피팅룸)

Fitting Room (피팅룸)

Director: Oh Jung-mi (오정미)

Synopsis: This 9 minute short portrays the relationship between a mother and her young daughter, how they argue and compromise, and bond through preparation.

Iron Age (철의 시대)

Iron Age (철의 시대)

Iron Age (철의 시대)

Director: Jung Ji-yoon (정지윤)

Synopsis: Documentary Iron Age appears quite symbolic in nature as the film depicts a woman who has a hole in her heart. The film examines the nature of her personality.

Island in Island: More Oceans Inside, and More Islands Inside (섬 안의 섬, 그 안의 더 많은 바다, 그리고 그 안의 더 많은 섬들)

Island in Island: More Oceans Inside, and More Islands Inside (섬 안의 섬, 그 안의 더 많은 바다, 그리고 그 안의 더 많은 섬들)

Island in Island: More Oceans Inside, and More Islands Inside (섬 안의 섬, 그 안의 더 많은 바다, 그리고 그 안의 더 많은 섬들)

Director: Kim Ji-yeong (김지영)

Synopsis: This experimental drama explores the concept of memory.

Mija (미자)

Mija (미자)

Mija (미자)

Director: Jeon Hyo-jeong (전효정)

Synopsis: A secret love with a foreign man is the subject of this drama, as a middle aged woman attempts to go abroad with her lover but encounters problems.

Mira's Will (미라의 의지)

Mira’s Will (미라의 의지)

Mira’s Will (미라의 의지)

Director: Lee Eun-jeong (이은정)

Synopsis: A young woman named Mira decides to work on her sex appeal in order to finally succeed in getting her first kiss, but she takes things a little far.

The Room of Drink (살롱 드 보아)

The Room of Drink (살롱 드 보아)

The Room of Drink (살롱 드 보아)

Director: Sohn Hae-sook (손해숙)

Synopsis: Office worker Joo-hyun is forced to visit a hostess bar when her boss asks for documents, which forces her into an uncomfortable situation.

Sewing Woman (바느질 하는 여자)

Sewing Woman (바느질 하는 여자)

Sewing Woman (바느질 하는 여자)

Director: Woo Jin (우진)

Synopsis: This 3 minute animated short is about a woman who never stops sewing. The aesthetics and stylisation look very interesting.

Festival News International Women's Film Festival in Seoul (서울국제여성영화제) Korean Festivals 2013
The 15th International Women's Film Festival in Seoul

WFFIS 2013: Coming of Age and Violence Against Women

The 15th International Women's Film Festival in Seoul

The 15th International Women’s Film Festival in Seoul

In the previous feature on the upcoming 15th Women’s Film Festival in Seoul, the films in the ‘New Currents’ category were discussed and profiled. The films display the festival’s desire to tackle a range of issues related to women from documentaries about pivotal figures, animations involving sexual relations, and more traditional dramatic fare concerning relationships and peer/societal pressure.

Yet other areas of the program also emphasize WFFIS’s ability to give women filmmakers a platform in which to share their perspective on society, and to ‘see the world through women’s eyes.’ In this article two such categories are covered. The ‘Asian Spectrum: The Coming of Age in Asian Women Filmmaking’ focuses on young female visionaries who portray the issues young Asian women face. Meanwhile, ‘Polemics: The Constellation of the Violence Against Women’ explores the different forms of pressure and assaults that women are threatened with and/or experience, and examinations the structures of (gendered) power so often inherent in such debates.

Asian Spectrum: The Coming of Age in Asian Women Filmmaking

Give Me Back My Cat (고양이를 돌려줘)

Give Me Back My Cat (고양이를 돌려줘)

Give Me Back My Cat (고양이를 돌려줘)

Director: Jung Jae-eun (정재은)

Synopsis: When a couple are forced to give their cat Kuma up for adoption,  they are devastated. Luckily their friend is Kuma’s new owner, yet when she refuses to hand the feline back drama ensues.

Polemics: The Constellation of the Violence Against Women

Bad Scene (배드신)

Bad Scene (배드신)

Bad Scene (배드신)

Director: Jeon Go-woon (전고운)

Synopsis: The 18 minute short depicts an unknown actress who lands a role in a film. The catch is that a bed scene is required, and the aspiring performer is conflicted over playing the part well.

Deviation (도착)

Deviation (도착)

Deviation (도착)

Director: Lee Min-beh (이민배)

Synopsis: On the subway Su-jin overhears a celebrity scandal involving a sex-tape. Yet she is also surprised to see her boyfriend being arrested and decides to follow him.

My, No Mercy Home (잔인한 나의, 홈)

My, No Mercy Home (잔인한 나의, 홈)

My, No Mercy Home (잔인한 나의, 홈)

Director: Aori (아오리)

Synopsis: The documentary explores the life of a woman who was sexually abused by her father. When no-one believed her, she ran away and sued him to spare her siblings, with shocking results.

Festival News International Women's Film Festival in Seoul (서울국제여성영화제) Korean Festivals 2013