As the vice-president of a leading cosmetics company, Oh Sang-moo (Ahn Seong-gi (안성기) is every bit the diligent leader, working hard to ensure the brand is a success. Yet when his wife (Kim Ho-jeong (김호정) is diagnosed with a terminal brain tumour, Sang-moo dutifully divides his time between taking care of her and fulfilling his role at work, attending the company during the day and sleeping at the hospital at night. Tired and stressed from the routine, Sang-moo’s attentions are suddenly diverted when Choo Eun-joo (Kim Gyu-ri (김규리), a young and beautiful new manager, joins the office. While Sang-moo strives to adhere to his responsibilities his mind begins to drift towards Eun-joo, creating a torrent of conflicting emotions that only seem to become more and more difficult to control.
As his 102nd film, Revivre is director Im Kwon-taek’s finest, most accomplished work in years. Rarely do films manage to capture such fraught emotional complexity as contained within Revivre, conveyed with a subtle, elegant grace that wonderfully displays director Im’s wisdom and prowess. Similarly, Ahn Seong-gi provides a towering performance as the emotionally conflicted VP, whose tempered, poignant portrayal is captivating throughout. In lesser hands Song Yoon-hee’s script would be a standard drama, yet through director Im and Ahn’s collaboration the story delicately unfolds in a classic, dignified fashion that only they, with their combined life and filmic experiences, could possibly accomplish.
Revivre is at once both an incredibly complex and wonderfully simple tale. The story of a middle-aged man whose gaze is diverted by a younger attractive woman is nothing new in cinema, yet the drama is infused with a startling array of poignant nuances that allude to the great psychological and emotional anxieties Sang-moo experiences. Moments that feature Sang-moo’s inability to urinate due to stress, and the emotionless manner in which he takes care of his sick wife, articulate a keen gravitas and so much more than dialogue could possibly hope to achieve. Director Im, celebrated for his reverential portrayal of Korean culture onscreen, further adds weight to the material by introducing such traditional features as traditional Buddhist funeral rites and saunas to make Revivre a truly Korean production that explores the issues from a truly Korean perspective.
The relationship between Sang-moo and attractive new arrival Eun-joo is superbly paced and developed throughout the course of the film. The manner in which she is introduced into Sang-moo’s life, quite literally bursting into it, is a wonderful metaphor that sparks his interest in her and the possibility of a new life away from the stresses of his current one. Sang-moo’s affections for Eun-joo are captured with sincerity, from stolen glances at the office through to the palpable chemistry contained in their direct interactions. Much of the development occurs within Sang-moo’s imagination as he fantasizes about chance encounters that serve to add sweet romantic connotations to his infatuation, while scenes in which he behaves foolishly just in order to see Eun-joo are constructed with genuine care and affection. As Eun-joo, Kim Gyu-ri is perfectly cast. Her natural elegance and stunning beauty are entirely believable as distractions for Sang-moo, even as he desperately tries to be a good, dutiful man, while Kim’s performance as an independent career woman is also impressive.
While Revivre is a powerful emotional drama for much of the running time, the film begins to lose its way as it attempts to come to a close. After featuring some incredibly powerful and nuanced scenes throughout the film as well as poignantly subtle character development, due to the quite ambiguous finale Revivre ends on a symbolic yet somewhat unsatisfying note. Director Im, however, wisely adds an epilogue of sorts to construct the end as coming full circle through traditional Korean Buddhist culture, conveying the inherent beauty in life, death and cultural forms as a means in which to appreciate the nature of existence.
Revivre is director Im Kwon-taek’s finest, most accomplished work in years. His 102nd film, Revivre beautifully captures fraught emotional and psychological complexities with subtle elegance and grace, as a vice-president with a sick wife begins to fall for the charms of a new and quite beautiful manager. As the VP, Ahn Seung-gi provides his best performance in years and his collaboration with director Im produces a powerful film that only they, with their combined experiences, could have possibly achieved.