The hysterical mother severs her son's penis, sparking a chain of events

Kim Ki-duk’s Moebius (뫼비우스) – His Most Controversial Film to Date?

Kim Ki-duk's Moebius (뫼비우스)

Kim Ki-duk’s Moebius (뫼비우스)

No stranger to controversy, director Kim Ki-duk’s latest film Moebius (뫼비우스) appears to be pushing more boundaries than ever before. Billed as his most controversial film to date, sexual thriller Moebius explores the themes of incest, genital dismemberment, and dark sado-masochistic desires within a family unit, employing the director’s trademark silent characterisation in emphasising the severity of their actions.

The story depicts a mother (Lee Eun-woo (이은우) who, sick of her husband’s (Jo Jae-hyeon (조재현) constant infidelities, plots her own unique brand of revenge. However the conflict dramatically backfires upon their son (Seo Yeong-joo (서영주), with the resulting shame forcing the mother into exile. While the father and son attempt to build their relationship once again, their lives are once again thrown into turmoil when the mother returns, sparking a dramatic chain of events towards an even darker path.

The poster for Moebius reveals disturbing imagery

The poster for Moebius reveals disturbing imagery

Perhaps unsurprisingly, Moebius was initially rejected by The Korean Media Rating Board upon submission, bestowing a ‘restricted’ rating upon the film. Yet as there are no cinemas in Korea that are licensed to screen ‘restricted’ rated films, the decision effectively meant that director Kim’s latest could not be released domestically. In a statement the Board explained, “The story and contents of the movie are highly violent, terrifying and harmful to underage audiences. The unethical and unsocial expressions of sexual activity between immediate family members make it only suitable for screening in limited theaters”. However, after director Kim edited several of the more controversial scenes from the film, Moebius was finally approved for domestic release, which should occur sometime in early September.

Interestingly such issues have not effected director Kim’s reputation abroad, as the film has been selected by both Venice and Toronto for their respective film festivals. Kim’s Pieta was the big winner at last year’s Venice Film Festival, scooping the highly coveted ‘Golden Lion’ award for best film, while this year’s Moebius will be screened as part of the ‘Out of Competition’ category. Toronto Film Festival are due to screen the film under their ‘Masters’ program, describing the film as bearing, “the clear mark of Kim’s singular genius. It’s a modern Greek tragedy bordering on psychological thriller, a pitchblack comedy, a crazy-weird depiction of pain-induced pleasure.”

Love him or loathe him, Kim Ki-duk’s films are consistently fascinating. Audiences will be able to form their own opinions regarding Moebius in early September. Please see below for the trailer.

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The 49th Daejong Film Awards

The 49th Daejong Film Awards – 2012

The 49th Daejong Film Awards

The 49th Daejong Film Awards

Wow. If ever the term ‘whitewash’ was applicable to an awards ceremony, then the 49th Daejong Film Awards held in Yeouido on October 30th, was it. Period drama Masquerade (광해, 왕이 된 남자) received an astonishing 15 awards – out of a possible 22 – on the night, winning in every category in which it was nominated.

Critics were quick to point out that such a sweeping victory made the Film Award ceremony meaningless, and that with so many high quality productions released such as The Thieves (도둑들), A Muse (은교), Pieta (피에타) and Architecture 101 (건축학개론), it was unfair. Yet, even when taking such claims into consideration, it is difficult to argue against the decisions made by the judges. Masquerade is a sumptuous period drama utilizing the exquisite traditional clothes of the Joseon dynasty as well as historical locations which virtually guaranteed the technical awards, while the performances of the central cast have received incredible critical acclaim. As such, the drama won Best Film, Best Director for Choo Chang-min, Best Actor for Lee Byeong-heon, Best Supporting Actor for Ryoo Seung-ryeong, Best Screenplay for Hwang Jo-yoon, as well as a host of production awards.

Yet it wasn’t entirely Masquerade‘s night, as the Best Actress award went to Pieta star Jo Min-soo while Best Supporting Actress went to Kim Hae-sook  for The Thieves. Best New Actor went to Kim Seong-gyoon for his role in Neighbors (이웃사람), while her stunning turn as a high school student in A Muse earned Kim Go-eun the Best New Actress award. Best New Director went to Choi Jong-tae for Hand in Hand (해로).

For the full list of nominees and victors, please visit Asian Wikipedia here.

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