In-ho constantly breaks the rules, and requires punishment

You’re My Pet (너는 펫) – ★★☆☆☆

You're My Pet (너는 펫)

You’re My Pet (너는 펫)

The reversal of gender roles can prove to be a simultaneously comedic as well as enlightening viewing experience. For every humorous moment of mistaken identity, cross dressing and so forth, the gender inequalities within society are expressed and critiqued. From Kramer vs. Kramer to Devil Wears Prada, from Mrs. Doubtfire to Disney’s Tangled, each production highlights the ‘active’ and passive’ roles which men and women employ in articulating their (cultural) identities, identities which are comically subverted to reveal their fragile and ultimately hollow nature.

You’re My Pet (너는 펫), the latest adaptation from the manga series, also uses gender differences for comical effect, attracting controversy in the process as a men’s association filed a legal petition due to what they claim was an emasculating portrayal of men. Ironically this attracted an even greater audience, although it’s quite undeserved as You’re My Pet is unfortunately little more than a vacuous rom-com vehicle for stars Jang Geun-seok and Kim Ha-neul.

As a successful 30-something career woman, Ji Eun-i (Kim Ha-neul (김하늘) has a very comfortable life with her high-ranking job at a fashion magazine and spending time with close friends. Kang In-ho (Jang Geun-seok (장근석), on the other hand, is homeless and penniless despite his past fame as a ballet dancer. Their paths intertwine however when In-ho begs to live at his friend’s apartment – a friend who happens to live with his older sister Eun-i, who is less than pleased with the new arrangement. Eun-i’s displeasure grows further when her brother is forced to leave, meaning she and stranger In-ho must live together alone. The two strike a deal – Eun-i is the master while In-ho will take the role of a pet, who will be fed and taken care of in exchange for performing errands. As the two spend more time together they become closer, yet complicating matters is the arrival of Eun-i’s first love, Cha Woo-seong (Yoo Tae-joon (류태준).

Eun-i is a successful and indepdendent 30-something woman

Eun-i is a successful and indepdendent 30-something woman

Kim Byeong-gon (김병곤) competently – although blandly – directs the film. Often You’re My Pet lacks the technical dynamics and polish of a feature film, instead displaying conventions more akin to televisual productions. While such faults are the responsibility of the director, he cannot be held accountable for the uninspiring and dull script that squandered the potential that appeared so promisingly in the synopsis. For example, the reversal of gendered roles should provide insight and amusement, but is largely the opposite. Eun-i is a successful woman, yet the film rarely focuses on her achievements preferring to highlight her unhappiness as a singleton and the constant frustrations she must endure in the workplace from her colleagues. Additionally, Eun-i is never conveyed as the ‘master’ in her relationship with In-ho, and is in fact more a maternal figure as she cooks him meals, washes his hair, and punishes him for naughty behaviour. The (forced) appearance of her first love Woo-seong does nothing to promote her independent status as she then ultimately becomes the prize in a love triangle.

Despite his poverty stricken status, In-ho’s representation fairs so much better that at time it becomes cringeworthy. Women continually comment about his handsome features and his prowess as a professional dancer. Ironically this is the only tangible result of the reversal of gender roles, as actor Jang Geun-seok is routinely discussed in terms of image, and as such You’re My Pet is reduced to a fairly average vehicle for the star’s promotion.

The relationship between Eun-i and In-ho, absurd origin notwithstanding, is occasionally quite endearing as the two struggle to live with each other and adhere to the rules of the arrangement. As such the relationship develops in an organic and natural fashion akin to newlyweds, yet due to the ‘master and pet’ dichotomy in which Eun-i ultimately becomes a maternal figure,  the ‘love’ feels somewhat implausible and forced in order for a romantic finale.

In-ho constantly breaks the rules, and requires punishment

In-ho constantly breaks the rules, and requires punishment

With regards to acting, both leads are rather average and have few scenes in which to display their craft. Kim Ha-neul gives the best performance by far, although she never fully conveys the decisive and no-nonsense sensibilities that a woman dedicated to her career would inhabit. Due to this she is routinely chastised by her subordinates (a feature seriously lacking in realism particularly in Korean culture) and allows In-ho’s immature behaviour with little protest. As for Jang Geun-seok, he conveys the ‘man-child’ characteristics of In-ho well yet lacks the charisma to make In-ho endearing, relying on his physical features to perform that function. In-ho is often irritating due to this as scenes in which he strives for attention, such as throwing tantrums and having his hair washed, are conveyed as the petty contrivances of a child rather than a charming-but-poor man attempting to woe his love interest.

Eun-i and In-ho become closer

Eun-i and In-ho become closer

Verdict:

You’re My Pet is unfortunately a rather shallow romantic-comedy, which fails at both being romantic or comedic. The premise is a fine one, although the potential is never fully realised as the archaic constructions of gender identity overwhelm it, as does Jang Geun-seok who uses the film as little more than a self-promoting device. Kim Ha-neul does add charm to You’re My Pet with her performance, but it is not enough to elevate the film above its mediocre status.

★★☆☆☆

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The 48th Daejong Film Awards – 2011

Often referred to as ‘The Korean Oscars’, the 48th Daejong Film Awards were held in at the Sejong Center in Seoul on Monday the 18th.

The 48th Daejong Film Awards

As usual, the red carpet was rolled out for the stars and for their fashionable entrances. Here are pictures of the actors, actresses, and couples that attended.

This year was interesting, as while the films nominated were certainly very good, there was no clear winner that was expected to steal the show. Instead, the awards were spread quite evenly amongst the nominees.

For Best Picture, the award went to Korean war film ‘The Front Line’ (고지전). The film, directed by Kim Ki Duk (김기덕) protege Jang Hoon (장훈), also went on to scoop the awards for Best Production, Best Cinematography, and Best Lighting.

Best Actor went to Park Hae Il (박해일) for his role in action/adventure film ‘Arrow: The Ultimate Weapon/War of the Arrows’ (최종병기 활) (currently with 2 English working titles). The film also scored awards for technical achievement, winning Best Sound and Best Visual Effects. The Best Supporting Actor award was given to Jo Seong-ha (조성하) for his role in gritty action thriller ‘The Yellow Sea(황해).

Kim Ha Neul accepts Best Actress award

Kim Ha Neul (김하늘) won Best Actress for playing a blind woman in crime thriller Blind(블라인드), and accepted her award from ‘You Pet!’ (너는 펫) co-star Jang Geun Seok (장근석) (see here). The award for Best Supporting Actress was scooped by Shim Eun Kyeong (심은경) who appeared in ‘Romantic Heaven’ (로맨틱 헤븐).

The Popularity Award went to The Man From Nowhere (아저씨) star Won Bin, who humbly received his award (here).

Please see here for a full list of the awards, the nominees, and winners from the night.

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