BiFan 2015 – Korean Feature Films Part 2

BiFan 2015BiFan 2015 will run for 10 days from July 16th~26th, and the biggest genre film festival in Asia is bigger than ever.

To celebrate the upcoming extravaganza, here at Hanguk Yeonghwa we are profiling the Korean films due to screened.

In Part 1, we took a look at the K-films present for the closing ceremony as well as within the Bucheon Choice: FeatureWorld Fantastic Cinema, and The Masters categories, respectively.

Here in Part 2 the K-films selected for Vision Express, the rather wordy KAFA+ Next D – “3D, Once Again,” and K-Indie Genre Strikes! are profiled.

To see PART 1 of our BiFan profile, please click here.

Vision Express

Amor (그리울 련) – director Han Cheol-su (한철수)

Hee-yeon's terminal illness doesn't deter boyfriend Tae-woo

Hee-yeon’s terminal illness doesn’t deter Tae-woo

Drama Amor follows the story of terminally ill Hee-yeon who, due to her situation, tries to tell her zookeeper boyfriend Tae-woo to forget about her and move on with his life. Yet one day Tae-woo finds a mysterious woman in a bad situation in a zoo bathroom, and discovers she is related to Hee-yeon.

Antigone (안티고네) – directors Kang Eok-seok (강억석), Kim Sung-pum (김성범), Park Seo-yeon (박서연)

The story of King Yong is told

The story of King Yong is told

Three directors have collaborated together to bring the story of King Yong to the big screen. Judging from the stills that have been released, the period drama has a definite Dogme 95 vibe through the absence of set design. The film retells a classic Greek tragedy, which examines the lives of King Yong and his family as they attempt to flee to Japan.

Purpose of Reunion (동창회의 목적) – director Jeong Dae-man (정대만)

Dong-chul owns a charming bar

Dong-chul owns a charming bar

Director Jeong Dae-man’s entry seems to be one of the more traditional drama offerings that focuses on the complexity of modern relationships. The plot involves Dong-chul, who owns a quaint bar, and wants to hold a reunion. Yet one of his guests is attractive Yujin, and they begin a relationship…but what will his wife say?

Sunshine (선샤인) – director Park Jin-soon (박진순)

Sul-ji is an artistic North Korean exile

Sul-ji is an artistic North Korean exile

Sunshine appears to be the only feature film at BiFan 2015 to explore the division between North and South Korea. The film follows former propaganda designer Sul-ji, now a florist, who is asked to be the subject of a documentary for a down-on-his-luck producer…but what will this mean for her family still north of the border?

KAFA+ Next D – “3D, Once Again”

MAD SAD BAD (신촌좀비만화) – directors Ryoo Seung-wan (류승완), Han Ji-seung (한지승), Kim Tae-yong (김태용)

Ghost (유령)

Ghost (유령)

3D omnibus MAD SAD BAD opened the 2014 Jeonju Int. Film Festival, and features a variety of genres. The best is easily the supernatural drama Picnic by director Kim Tae-yong, while director Ryoo Seung-wan’s thriller Ghost – based on real events of teens who murder due to sns – is also good. Zombie comedy/horror I Saw You by director Han Ji-seung completes the omnibus.

K-Indie Genre Strikes!

12 Deep Red Nights (십이야: 깊고 붉은 열두 개의 밤 Chapter 1) – director Oh In-chun (오인천)

Four horror stories are told in the film

Four horror stories are told in the film

Director Oh In-chun, fresh from 2014 horror/romance Mourning Grave, returns with an omnibus of four chilling stories. Rather than separate tales, the events – titled Driver, PM 11:55, atmosFEAR and The Secret Night – are all interlinked. Director Oh’s film is also intended as the first part of a series of 12 horrors.

Mizo (미조) – director Nam Ki-woong (남기웅)

Mizo and Woo-sang have a violently sexual relatonship

Mizo and Woo-sang have a violently sexual relatonship

Mizo premiered at Jeonju Film Fest 2014. The film depicts the story of a girl left in the trash as a child, who later returns to the area as an adult and forms relationships with the corrupt people living there, preparing her revenge. Mizo is violent and overtly sexual, but then that should come as no surprise from the director of Teenage Hooker Became a Killing Machine.

My Secret Partner (완벽한 파트너) – director Park Heon-soo (박헌수)

Comedy and sex mix to fun effect

Comedy and sex mix to fun effect in this light-hearted take on modern relationships

Also known as Perfect Partner, this raunchy sex-comedy follows a screenwriter and a chef who, due to suffering from a severe lack of inspiration, embark on sexual relationships with their students to help unleash their passions. Yet the young objects of their lust have motivations of their own. Will the controversial relationships prove fruitful?

Ownerless Flower Uhwudong (어우동: 주인 없는 꽃) – director Lee Soo-sung (이수성)

An erotic love triangle features

An erotic love triangle features

Released in January 2015, Ownerless Flower Uhwudong is a rare independent period drama featuring plenty of lust and debauchery through the narrative, which centers on a twisted love triangle amongst the social elite. Director Lee Soo-sung is no stranger to raunchy material having helmed sex comedy Mango Tree in 2013, though his latest marks a big improvement.

Playboy Bong (아티스트 봉만대) – director Bong Man-dae (봉만대)

Tensions arise on the set of an erotic movie

Tensions arise on the set of an erotic movie

Another sexy-comedy to arrive at BiFan 2015 is Playboy Bong. The film explores a film crew that go to Bali to shoot an erotic movie, but the producers are underwhelmed with the early footage. To salvage the film, porn director Bong Man-dae is hired yet when he arrives and begins demanding more erotic scenes, his presence escalates the situation.

Rough Play (배우는 배우다) – director Shin Yeon-shick (신연식)

An actor traverses madness

An actor traverses madness

An unofficial sequel of sorts to Rough Cut, Rough Play premiered at Busan Film Fest in 2013. Written by Kim Ki-duk, the film explores the life of a struggling actor who finally becomes a star, yet as his power rises so does his arrogance, leading to an epic fall from grace. Ironically the film was responsible for catapulting idol star Lee Joon’s popularity, particularly for the inclusion of a bed scene.

The Stone (스톤) – director Cho Se-rae (조세래)

The gentlemen's game of baduk turns violent in the criminal underworld

The gentlemen’s game of baduk turns violent

The Stone combines the criminal underworld with the classic Asian game of baduk. A young genius baduk player uses his skills to hustle local small time gangsters, yet when his ability comes to the attention of a crime boss, the two strike up an unlikely friendship. Through their gentlemanly games, they begin to see the errors of their ways.

To see PART 1 of our BiFan profile, please click here.

For the full BiFan screening schedule, please follow the link here.

Bucheon International Fantastic Film Festival (제 19회 부천국제판타스틱영화제) Festival News Korean Film Festivals 2015
Min-su and the mob boss form a relationship through the gentleman's game of baduk

The Stone (스톤) – ★★☆☆☆

The Stone (스톤)

The Stone (스톤)

Despite his young age, Min-su (Jo Dong-in (조동인) is an extremely intelligent and talented baduk (Go) player. To make ends meet and with few prospects, Min-su uses his skills to hustle other players, forming friendships with small-time crooks as well as making several enemies in the criminal underworld. Yet when a local mob boss (Kim Roe-ha (김뢰하) unwittingly challenges Min-su to a duel and loses with significant embarrassment, the gangster hires Min-su as his baduk teacher and the two become close, changing them both irrevocably.

The gentlemen's game of baduk turns violent in the criminal underworld

The gentlemen’s game of baduk turns violent in the criminal underworld

First and foremost, The Stone (스톤) is a palpable love letter to the game of baduk, often referred to as ‘Go.’ Director Cho Se-rae (조세래) uses the game as a form in which to emphasise a person’s personality through their technique, as well as to express the evolving relationships between players.  Baduk is continually conveyed as something of a gentleman’s game, requiring a cool demeanor and keen intellect to truly master. As such the unlikely bond that forms between hustler Min-su and the gang boss is quite believable, as they converse about increasingly personal stories during their friendly matches. Their tournaments also allow them to gain insight into each other’s lives. The gangster recognises his own tormented youth in Min-su, while Min-su dislikes the path the boss has chosen yet sees it before himself, and as their bond increases they attempt to guide each other while playing.

Min-su and the mob boss form a relationship through the gentleman's game of baduk

Min-su and the mob boss form a relationship through the gentleman’s game of baduk

However at nearly two hours in length The Stone is far too long, as the story continually expands to add further menial sub-plots that are quite unnecessary. It is also acutely ironic that with such an excessive running time that the character development is also quite minimal. Despite the fact that Min-su and the gangster are the central protagonists, surprisingly little depth is ascribed to either. Hints are alluded to, such as Min-su’s unrepentant mother who suffers from a gambling addiction, yet there are precious few moments that help to define the characters in any detail, nor give any reason why the audience should care about them. As such the film becomes a series of vignettes about baduk in the criminal underworld, rather than a character-driven study.

Luckily Park Won-sang (박원상) is on hand to provide a wonderfully charismatic and humourous performance as the mob’s second-in-command. The actor has risen to prominence in recent years following his roles in Unbowed (부러진 화살) and National Security (남영동 1985), and as a foolish gangster who constantly oversteps his bounds he brings a sense of genuine enjoyment to The Stone. Whenever Park Won-sang appears on screen he overshadows everyone with his performance, yet he is no mere comedic foil as he infuses the character with a deep such of integrity and loyalty, as well as danger, that makes him extremely likable. It is often due to his appearances within the vignette-style storytelling that The Stone becomes an entertaining film.

The mob boss uses baduk as respite from his violent world

The mob boss uses baduk as respite from his violent world

Verdict:

The Stone is an interesting drama about the game of baduk (Go). Conveyed as a gentleman’s game, director Cho Se-rae uses it as a way for characters to develop relationships, as well as a window into the gambling habits of the criminal underworld. Yet the overly long running time and lack of character development, in conjunction with the vignette-style storytelling, stops the film from being a deep and compelling exploration. Actor Park Won-sang makes the film entertaining whenever he appears, yet even with his significant performance The Stone is a rather standard affair.

★★☆☆☆

Busan International Film Festival (제18회 부산국제영화제) Festival News Korean Festivals 2013 Reviews
The 18th Busan International Film Festival

BIFF 2013: Korean Cinema Today – Vision

The 18th Busan International Film Festival

The 18th Busan International Film Festival

The Korean Cinema Today – Vision program at the Busan International Film Festival (BIFF) aims to highlight some of the independent film making talent emerging in 2013.

While the Panorama section explores big budget affairs (see here for the full profile), Vision is often a very exciting category due the fresh and distinctive approach new directors take, while the films themselves are often quite creative due to their low budget nature. Typically, there are a few gems to be found as talented film makers use Vision as a springboard for their careers.

For BIFF 2013, there are a number of interesting works on offer. Several directors make their respective debuts, while there are a surprising number of genre films including gangster, thriller, and comedy, present within. There are also a number of films that tackle challenging social issues such as surrogate mothers, teenage problems, and the experiences of foreign wives.

For profiles of all the films within Korean Cinema Today – Vision, please see below.

Korean Cinema Today – Vision

Dynamite Man (다이너마이트맨)

Dynamite Man (다이너마이트맨)

Dynamite Man (다이너마이트맨)

Director: Jeong Hyuk-won (정혁원)

Synopsis: Revenge thriller Dynamite Man is director Jeong’s debut film. When two brothers betray their gang, one is brutally tortured. Filled with rage the surviving brother targets those responsible – with dynamite.

Godsend (신의 선물)

Godsend (신의 선물)

Godsend (신의 선물)

Director: Moon Si-hyun (문시현)

Synopsis: Based on an idea by Kim Ki-duk, the film is a modern nativity of sorts. A young girl plans to exchange her baby with a couple, but complications arise from the men in their lives.

Guardian (보호자)

Guardian (보호자)

Guardian (보호자)

Director: Yoo Won-sang (유원상)

Synopsis: In his debut film, director Yoo tells the story of an ex-fireman whose daughter is kidnapped. For the girl to return unharmed, he must do the unthinkable and kidnap a boy for an exchange.

Han Gong-ju (한공주)

Han Gong-ju (한공주)

Han Gong-ju (한공주)

Director: Lee Su-jin (이수진)

Synopsis: Student Gong-ju starts a new school, making new friends and becoming involved in after school classes. However when a group of meddling parents discover Gong-ju’s whereabouts, her troubled past is revealed.

Intruders (조난자들)

Intruders (조난자들)

Intruders (조난자들)

Director: Noh Young-seok (노영석)

Synopsis: Receiving a world premiere at Toronto, director Noh’s (Daytime Drinking) Intruders follows a screenwriter who travels into the country to complete his screenplay. Yet when mysterious strangers arrive, violent events are set in motion.

The King of Jokgu (족구왕)

The King of Jokgu (족구왕)

The King of Jokgu (족구왕)

Director: Woo Moon-gi (우문기)

Synopsis: Sports comedy The King of Jokgu tells the story of a team passionate about foot volleyball, a popular past-time in Korea. When their request for a court is rejected, the team fight to make it happen.

Mot (못)

Mot (못)

Mot (못)

Director: Seo Ho-bin (서호빈)

Synopsis: Sung-pil tragically lost his younger sister in a motorcycle accident. Years later, Sung-pil meets the man responsible forcing painful emotions to resurface.

Shuttlecock (셔틀콕)

Shuttlecock (셔틀콕)

Shuttlecock (셔틀콕)

Director: Lee Yu-bin (이유빈)

Synopsis: Following the death of their parents, a huge insurance payout is given to Eun-ju, but when she disappears half-brother Min-jae attempts to find her.

The Stone (스톤)

The Stone (스톤)

The Stone (스톤)

Director: Cho Se-rae (조세래)

Synopsis: When a mob boss losses a game of baduk (Go) to a young prodigy, the two begin to form a relationship as they continue to play each other.

Thuy (안녕, 투이)

Thuy (안녕, 투이)

Thuy (안녕, 투이)

Director: Kim Jae-han (김재한)

Synopsis: Another debut film, Thuy depicts the life of a Vietnamese girl living in the country with her in-laws. When her husband fails to return home, Thuy’s enquiries attract the wrong kind of attention.

Busan International Film Festival (제18회 부산국제영화제) Festival News Korean Festivals 2013