I Saw You (너를 봤어)

MAD SAD BAD (신촌좀비만화) – ★★★☆☆

MAD SAD BAD (신촌좀비만화)

MAD SAD BAD (신촌좀비만화)

Omnibus film MAD SAD BAD (신촌좀비만화) has the notable distinction of featuring not only three of Korea’s top name directors in the form of Ryoo Seung-wan (류승완), Han Ji-seung (한지승) and Kim Tae-yong (김태용), but also for serving as the opening film for the 15th Jeonju International Film Festival. The collective work is quite a landmark for an opening film due to the use of 3D, which is, in part, used to emphasis the new vision and production role of KAFA+ (The Korean Academy of Film Arts).

The three segments are each designed to explore human relationships through a connection to a form of popular culture. Director Ryoo Seung-wan helms the first short titled Ghost (유령), about a boy who is addicted to his cell phone; director Han Ji-seung is responsible for I Saw You (너를 봤어), which is concerned with a futuristic zombie apocalypse; and finally director Kim Tae-yong explores the life of a young girl with an autistic brother in Picnic (피크닉).

In the interest of fairness, each short within the omnibus has been reviewed individually, in the order in which they appear onscreen.

Ghost (유령)

Ghost (유령)

Ghost (유령) –  ★★★☆☆

Ghost depicts teenager Seung-ho (Lee David (이다윗) who is more concerned with the digital world of chat rooms, sms, and computer games rather than reality. When Woo-bi (Son Soo-hyeon (손수현), a girl from his chatroom, claims she is in danger from an abusive boyfriend, Seung-ho teams with Bi-jen (Park Jeong-min (박정민) to help her.

Based on a true story, Ghost is quite a departure from director Ryoo Seung-wan’s typically action-orientated projects, and he ably handles the focus on low-key personal drama. Scenes featuring Seung-ho’s bedroom are expertly filmed and wonderfully convey his fractured relationship with reality, while the social pressures from his school and father are competently expressed. However the tension that a film such as Ghost requires is curiously absent, particularly when Seung-ho and Bi-jen attempt to help Woo-bi. The use of 3D is also quite unnecessary  as the drama rarely features it effectively.

Luckily the ever-reliable Lee David holds everything together well, with his likeable ‘everyman’ charm again forcing audiences to empathise with his plight. That said, the actor is never pushed into new territory and as such his performance doesn’t contain the intensity of his prior work, yet Lee David does what he can with the material on offer. It’s Park Jeong-min, however, who gives a wonderful performance as the socially inept Bi-jen. Complete with thick-rimmed glasses, protruding jaw and nervous ticks, Park’s characterisation is a radical departure from his previous roles conveying angst and social-dislocation with aplomb.

I Saw You (너를 봤어)

I Saw You (너를 봤어)

I Saw You (너를 봤어) – ★★☆☆☆

In the not-too-distant future, zombies have emerged causing catastrophe in their wake. Yet the arrival of a cure for the affliction has allowed the undead to rejoin society. Factory manager Yeo-wool (Park Ki-woong (박기웅) presides over zombie laborers, pushing them to work harder and harder. When a zombie named Si-wa (Nam Gyoo-ri (남규리) attempts to communicate with him, Yeo-wool begins to understand their connection.

Director Han Ji-seung’s I Saw You is certainly the weakest within the omnibus. Poorly scripted, badly acted, and featuring precious little depth, the superficial rom-com-zom is a hollow experience. Director Han’s ambition is clearly bigger than his budget, yet instead of scaling down the film into a more focused piece he has constructed a poor imitation of a large production, one where the narrative veers wildly resulting in a lack of interest in the central couple. There is an attempt to emphasise the importance of memory as with Eternal Sunshine of the Spotless Mind, yet it becomes lost amongst the various narrative tangents and oddities.

Bizarrely, I Saw You also fails to use the 3D technology effectively. This is the one production within the omnibus where the genre lends itself to fun 3D antics, however the potential isn’t capitalised on, resulting in a rather bland offering.

Picnic (피크닉)

Picnic (피크닉)

Picnic (피크닉) – ★★★★☆

Su-min (Kim Su-an (김수안) lives a humble life with her seamstress mother (Park Mi-hyeon (박미현) and autistic younger brother. Despite her young age Su-min is often forced to take responsibility for her sibling, and her only respite is to lose herself with the ages of a romantic comic book.

Picnic is a beautifully told, wonderfully charming story of youth and innocence, and is undoubtedly the most accomplished segment with the entirety of MAD SAD BAD. Screenwriter Min Ye-ji has constructed a poignant, sensitive and compelling story regarding those who live on the fringes of society, one which is elegantly depicted by director Kim Tae-yong. Director Kim ‘s uncanny ability to deeply understand and convey his characters motivations is once again apparent as he portrays a frustrated, overburdened young girl with an acute sense of subtly and artistry. Director Kim is also the only director in the omnibus to employ 3D effectively. Picnic features some truly sumptuous cinematography which the 3D technology vibrantly brings to life, particularly scenes of nature as with a pier at sunset and a mysterious forest.

The compulsion of the film rests on young actress Kim Su-an’s shoulders, and she delivers wonderfully. Her performance is continually captivating and displays a quality that belies her youth, proving that her prior films, including Berlinale winner Sprout, were no fluke. Kim’s charismatic performance conveys an adult sense of responsibility and independence alongside a youthful innocence and vitality, generating a deep sense of empathy and that never fails to entertain.

★★★☆☆

Festival News Jeonju International Film Festival (제15회 전주국제영화제) Korean Festivals 2014 Reviews
The 15th Jeonju International Film Festival

The 15th Jeonju International Film Festival

The 15th Jeonju International Film Festival

The 15th Jeonju International Film Festival

The 2014 Jeonju International Film Festival (JIFF) is due to commence from May the 1st through to the 10th.

Now in its 15th installment, JIFF has long been the festival for showcasing up and coming Korean independent talent as well as serving as a platform for international indies to receive attention. This year is of course no exception, as new features have added and programs extended in conjunction with the traditional core categories.

Last year, JIFF provided the launchpad for several notable Korean indie films that later went on to become successful on the international circuit. Family documentary My Place (마이 플레이스) and drama-thriller Lebanon Emotion (레바논 감정) were the most prominent, enjoying lengthy festival runs and scooping several awards domestically and internationally while other productions including Dear Dolphin (환상속의 그대)Cheer Up Mr. Lee (힘내세요, 병헌씨)Talking Architecture, City: Hall (말하는 건축, 시티:홀), and controversial documentary Project Cheonan Ship (천안함프로젝트) also performed well. Breathe Me (울게 하소서) was the most celebrated short film to emerge from the festival, later appearing in Cannes in the prestigious Critics Week category.

This year however sees not only an array of new Korean filmmakers but also some of the most renowned and reputable names in the independent film industry screening their latest work. Furthermore, the festival design is clearly emphasising JIFF as a celebration of elegance and subtle sincerity, as can be viewed in the trailer below.

The big change at JIFF 2014 lies in the greater focus on Korean films. Korea Cinemascape has now become a distinct program in its own right, and while previously more mainstream Korean films were integrated within, the focus has now shifted to more independent and low-budget productions. As such, there are some big names in indie cinema within Korea Cinemascape this year, including Lee Song Hee-il (White Night), Lee Sang-woo (Barbie) and Kim Kyung-mook (Stateless Things), as well as a greater number of world premieres which further cement JIFF’s reputation for discovering new talent.

In addition, two of JIFF’s staple programs – Jeonju Digital Project and Short! Short! Short! – have been amalgamated in order to enhance the overall quality of the productions as well as elevating the films into features. This year, two of of the three films are helmed by Korean directors.

The festival is also now separated into two distinct parts – from May 1st~7th JIFF will operate is normal, while May 8th~10th will focus more on the films in the International Competition. The Closing film has been abolished, and instead the Grand Prize winning film from the International Competition will screen instead.

Opening Film

MAD SAD BAD (신촌좀비만화) 

Directors Ryoo Seung-wan (류승완), Han Ji-seung (한지승), Kim Tae-yong (김태용)

Ghost (유령)

Ghost (유령)

I Saw You (너를 봤어)

I Saw You (너를 봤어)

Picnic (피크닉)

Picnic (피크닉)

MAD SAD BAD is a fascinating and exciting departure from traditional opening films. The 3D omnibus is helmed by three of Korea’s extremely talented directors. In Ghost, director Ryoo Seung-wan (The Berlin File) explores the life of a high school student who retreats from the world and instead finds purpose talking with a girl on SNS. The segment stars red hot indie star Lee David (Pluto, Poetry), Kwak Do-wan (The Attorney, National Security) and model Son Soo-hyeon in her acting debut, while the film itself is based on a true story. In futuristic zombie film I Saw You, director Han Ji-seung (Papa) plays with a variety of genres as he portrays the undead as factory workers. Featuring Park Ki-woong (Secretly Greatly) and kpop star See Ya’s Nam Gyoo-ri (Death Bell), the romantic musical horror will certainly be an attractive affair. Rounding out the omnibus is Picnic by director Kim Tae-yong (You Are More Than Beautiful). When a young girl loses her autistic brother on a picnic trip, her frantic search calls forth the realms of her imagination inspired from her beloved comic books. Child actress Kim Soo-an (Hide and Seek) stars.

Please see below for the MAD SAD BAD trailer.

Festival News Jeonju International Film Festival (제15회 전주국제영화제) Korean Festivals 2014