Twenty (스물) – ★★☆☆☆

Twenty (스물)

Twenty (스물)

Following their high school graduation three best friends must decide on their paths in life. Studious Kyeong-jae (Kang Ha-neul (강하늘) opts to attend a respectable university, where he quickly falls for the charms of senior Jin-joo (Min Hyo-rin (민효린); poverty-stricken artist wannabe Dong-woo (Junho (준호) decides to retake his final year, becoming close to Kyeong-jae’s sister So-hee (Lee Yoo-bi (이유비); while handsome-yet-stupid Chi-ho (Kim Woo-bin (김우빈) is aimless until meeting actress Eun-hye (Jung Joo-yeon (정주연) despite already dating So-min (Jeong So-min (정소민). The one thing they all agree upon however is they all want sex, and lots of it.

Now twenty, the horny trio are forced to choose a path

Now twenty, the horny trio are forced to choose a path

Surprisingly entertaining and often laugh-out-loud funny, Twenty is an enjoyable comedy by director Lee Byeong-hun. As a youthful sex comedy the film is an undoubtedly silly affair and has little substance, yet it has enough quips and gags to ensure that it’s an amusing viewing experience.

One of great pitfalls of youth-sex comedies is the objectification of women through the lustful gazes of cliched lustful male protagonists, and director Lee Byeong-hun wisely sidesteps such eye-rolling banality. While the three friends initially occupy stereotypical roles and take predictably alternative routes after graduation accordingly, the characterisation later becomes more fluid and develops as the narrative progresses. Furthermore, rather than have the camera fetishise their love interests to generate laughs, many of the jokes are derived from the trio’s stupidity and naivety in both love and adulthood. Indeed, the females are often far more mature and intellectually superior compared to their male counterparts, with their especially frank attitudes towards sex and masturbation offering some of the film’s best jokes. Although twenty years old, in many ways Chi-ho, Kyeong-jae and Dong-woo are still boys and as such the gags come thick and fast at their expense.

Chi-ho discovers what life is like without an allowance

Chi-ho discovers what life is like without an allowance

The narrative also eschews any coming-of-age morality from the proceedings which makes the film a little vacuous, yet director Lee manages to allude to, and poke fun at, many of the features of modern Korean life. As with his previous film Cheer Up Mr. Lee, the helmer/scribe produces jokes from the ridiculous situations that arise on film sets, though isn’t afraid to highlight the darker areas of ‘sponsors’ (aka ‘sugar daddies’). The manner in which young people seem to record everything seeming by instinct, especially in university rites of passage, is a fun dig at youth culture, while bittersweet jokes are also garnered from financial hardship.

Twenty loses its way as it enters the final act, as director Lee appears unsure of how to end his tale of boyhood silliness, which culminates in some contrived pairings and a rather random confrontation with some local gangsters. It’s all laughably farcical and slapstick, though does continue for too long and hints that some more stringent editing could have been employed, yet it’s nevertheless an entertaining and enjoyable experience, and in a time when so many productions emerging from the industry are so dark, Twenty is a refreshing change.

The trio find their friendship renewed despite odd circumstances

The trio find their friendship renewed despite odd circumstances

Verdict:

Director Lee Byeong-hun’s youth-sex comedy Twenty is a surprisingly enjoyable affair, particularly as the helmer/scribe steers away from cliches and objectification to generate laughs from the silliness and naivety of young men. It’s farcical and contains little substance, but as the gags continue to roll Twenty is a consistently fun, lighthearted, and one of the more successful Korean comedies in quite some time.

★★☆☆☆

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Reviews
JIFF 2013

JIFF 2013: Korean Films in Competition

JIFF 2013

JIFF 2013

The 14th Jeonju International Film Festival is almost upon us, kicking off on the 25th of April and running for a week through to the 3rd of May. After the huge controversies surrounding the festival last year, JIFF is reinventing itself with new programmers and staff as well as holding additional events due to take place nearby.

As always JIFF will screen a great variety of film talent focusing specifically on the independent sector. Opening with the joint French/Canadian film Fox Fire (폭스파이어) by director Laurent Cantet, a host of new film-making talent will be on display until closing film Wajida (와즈다), by Saudi Arabian director Haifaa Al Mansour, is screened.

For the full list of films being shown at JIFF 2013 please follow the link provided here, which amongst other things features a wonderful focus on Indian films in a category titled ‘Beyond Bollywood’. Yet as Hanguk Yeonghwa is concerned with Korean films specifically, here’s a rundown of the ten ‘Korean Films in Competition’.

51+

51+

51+

Director: Jung Yong-taek (정용택)

Synopsis: 51+ explores the lives of musicians who perform in the famous Hongdae area of Seoul, a hotspot for indie bands and emerging talent. Yet as the area has become more popular and big businesses have moved in, aspiring musicians are forced out and must take opportunities where they can.

Cheer Up Mr. Lee (힘내세요, 병헌씨)

Cheer Up Mr. Lee (힘내세요, 병헌씨)

Cheer Up Mr. Lee (힘내세요, 병헌씨)

Director: Lee Byeong-hun (이병헌)

Synopsis: The film follows Byeong-heon, a young aspiring film-maker who endures seemingly constant disappointment as he attempts to establish himself. The film purports to be something of an amalgamation of docu- and mockumentary set in the film world.

Dancing Woman (춤추는 여자)

Dancing Woman (춤추는 여자)

Dancing Woman (춤추는 여자)

Directors: Park Sun-il (박선일), Park Jun-hee (박준희), Ryu Jae-mi (유재미), Jo Chi-young (조지영), Choo Kyeong-yeob (추경엽)

Synopsis: Dancing Woman is an omnibus comprised of a variety of different genres and themes. Apparently, the film employs modern dance techniques during each narrative, and looks to be an interesting experimental piece.

Dear Dolphin (환상속의 그대)

Dear Dolphin (환상속의 그대)

Dear Dolphin (환상속의 그대)

Director: Kang Ji-na (강진아)

Synopsis: Employing a mixture of fantasy and reality in exploring love and death, Dear Dolphin looks set to be one of the more surreal offerings from the festival. The trailer can be viewed below:

December (디셈버)

December (디셈버)

December (디셈버)

Director: Park Jeong-hoon (박정훈)

Synopsis: December (디셈버) is an exploration of relationships and how they shift and change over time. At 73 minutes it’s quite short for a feature, yet as one of the few films focusing primarily on relationships it could be one of the more interesting dramatic films at the festival.

Echo of Dragon (용문)

Echo of Dragon (용문)

Echo of Dragon (용문)

Director: Lee Hyun-jung (이현정)

Synopsis: The description of Echo of Dragon is quite ambiguous, even labelled as a ‘peculiar drama’. With it’s off-the-wall themes – including repressed desires – and ‘twisted’ imagery, the film has the potential to be a boundary-pushing wildcard.

Grandma-Cement Garden (할매-시멘트정원)

Grandma-Cement Garden (할매-시멘트정원)

Grandma-Cement Garden (할매-시멘트정원)

Director: Kim Ji-gon (김지곤)

Synopsis: The human rights orientated Grandma-Cement Garden explores the forced relocation of elderly citizens in Busan. Their trials, lifestyles and memories are portrayed until their inevitable move, and as such could be a success with its political scandal/human interest angle.

Groggy Summer (그로기 썸머)

Groggy Summer (그로기 썸머)

Groggy Summer (그로기 썸머)

Director: Yun Su-ik (윤수익)

Synopsis: Groggy Summer is concerned with the pressures of Korean society, and their impact on a creative wannabe poet. The dissection of culture and pressure on Korean youth is an intriguing and timely premise, and could tap into cultural anxieties.

Lebanon Emotion (레바논 감정)

Lebanon Emotion (레바논 감정)

Lebanon Emotion (레바논 감정)

Director: Jung Young-heon (정영헌)

Synopsis: The description of Lebanon Emotion is incredibly vague, but it appears to be an exploration of a variety of human emotions that occur in different situations. Director Jung has helmed several short films during his career, so it will be interesting to see what he achieves with feature length material.

My Place (마이 플레이스)

My Place (마이 플레이스)

My Place (마이 플레이스)

Director: Park Moon-chil (박문칠)

Synopsis: My Place is an interrogation of the differences between contemporary and traditional Korea, focusing on one particular family unit. The ideological differences between generations isn’t particularly original, yet as single-motherhood forms part of the film it could signal a fresh approach on the subject.

Festival News Jeonju International Film Festival (제14회 전주국제영화제) Korean Festivals 2013