Mr. Vertigo (축지법과 비행술)

JIFF 2013: Quick Fire Reviews 2

Quick fire reviews from the 14th Jeonju International Film Festival.

Lebanon Emotion (레바논 감정)

Lebanon Emotion (레바논 감정)

Lebanon Emotion (레바논 감정) – 8/10

Lebanon Emotion is without a doubt one of the best films at the festival, and certainly a strong contender for best film in the Korean Film Competition category. Director Jung Young-heon (정영헌) has cemented his position as a film-making talent to watch, following his best director win for short film Hard Boiled Jesus at JIFF 2012. In Lebanon Emotion the director explores a great variety of themes throughout the drama/thriller narrative including suicide, guilt, survival, and purpose, against the backdrop of winter in the countryside. Director Jung’s prior history with cinematography is clearly apparent as the landscapes and settings are very attractive throughout. Yet what makes the film so powerful is the characterisation, and the wonderful performances given by the central cast who are continually poignant and compelling. Recommended viewing.

Mr. Vertigo (축지법과 비행술)

Mr. Vertigo (축지법과 비행술)

Mr. Vertigo (축지법과 비행술) – 5/10

Mr. Vertigo promised to be one of the more quirky offerings at the festival, yet only partially succeeds. This is wholly due to actor Oh Dal-su who performs the role of a roguish ‘air-walking’ master who takes on a new student. Oh Dal-su has played plenty of similar characters in the past and while he tries to squeeze as much out of the master as he can, there isn’t really enough material for him to do so. The main protagonist is actually his disciple, a frustrated bookish young man who seeks something new and fulfilling. Again however, director Lee Kyung-sub (이경섭) doesn’t provide much information or fully convey his anxieties, resulting in a lack of engagement. A mildly entertaining film that doesn’t capitalize on its premise.

Timing (타이밍)

Timing (타이밍)

 Timing (타이밍) – 5/10

As the title implies, Timing features some of the ironic features of life that tend to occur at the most inconvenient of moments. The narrative conveys the frustrations of a career woman recently diagnosed with cancer, and the events that transpire as a result. She explodes at her boss in a business meeting; an ex-lover appears out of concern; financial and health issues, and so forth. The film becomes quite episodic due to this approach, and as such it’s difficult to really align with the protagonist and feel the anguish she endures. The character is also not particularly likable due to her initial selfishness. However director Kim Ji-Yeon (김지연) manages to cram an awful lot of material into the 21 minute running and is quite insightful at times, although she could have benefitted much more by making it a feature.

The Woman (그 여자)

The Woman (그 여자)

The Woman (그 여자) – 5/10

With the transsexual experience vastly underrepresented in Korean cinema, The Woman had the potential to shine a light on important issues yet only partially succeeds. The narrative follows Yoon-hee as she goes about her daily life, until her older brother pays a visit to inform her of their mother’s illness. Unfortunately director Jo Mee-hye (조미혜) takes nearly all the running time just to get to this point, generally meandering as Yoon-hee delivers milk on her rounds. There is a wealth of material within the film that is just never explored – Yoon-hee’s status as an outsider, her obviously fraught relationship with her husband, the extremely strained familial history – and as such only scrapes the surface of the potential on offer. The Woman is an interesting yet superficial film, and a missed opportunity.

Echo of Dragon (용문)

Echo of Dragon (용문)

Echo of Dragon (용문) – 3/10

Fans of experimental and art house cinema will find much to love with director Lee Hyun-jung’s (이현정) Echo of Dragon, due to the highly symbolic features that run rampant throughout. For everyone else, the film is pretentious, self-indulgent and utterly absurd. The film does feature moments of beautiful cinematography although they are often sporadic, while narrative elements are started and dropped without any warning. Ironically it is a different director, Lee Sang-woo, who steals the show in his performance as a possibly mentally unhinged drifter. He provides much-needed levity and focus to the film, and is genuinely funny yet also hints at a greater depth that goes unexplored. The film is highly symbolic, but also frustratingly bizarre.

Garibong (가리봉)

Garibong (가리봉)

Garibong (가리봉) – 5/10

Director Park Ki-yong (박기용) has produced a documentary in the very literal sense of the word with Garibong, as he ‘documents’ areas within the titular district in which Chinese immigrants reside. The cinematography is superb, capturing the sense of dislocation of the area from the surrounding Seoul districts and the squalid, dilapidated buildings convey palpable depression. Often, he film evokes scenes from sci-fi classic Blade Runner. Yet despite the attractive visual prowess, the film is quite dull as there are no people or stories to follow, and therefore no opportunity to become fully engaged within the world of Garibong. The static camera is both a blessing and a curse, as while it captures the alleys and lifestyle there is always a distance between it and the residents. Ultimately the documentary is visually attractive, but lacking compulsion.

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Festival News Jeonju International Film Festival (제14회 전주국제영화제) Korean Festivals 2013 Reviews
JIFF 2013

JIFF 2013: Korean Films in Competition

JIFF 2013

JIFF 2013

The 14th Jeonju International Film Festival is almost upon us, kicking off on the 25th of April and running for a week through to the 3rd of May. After the huge controversies surrounding the festival last year, JIFF is reinventing itself with new programmers and staff as well as holding additional events due to take place nearby.

As always JIFF will screen a great variety of film talent focusing specifically on the independent sector. Opening with the joint French/Canadian film Fox Fire (폭스파이어) by director Laurent Cantet, a host of new film-making talent will be on display until closing film Wajida (와즈다), by Saudi Arabian director Haifaa Al Mansour, is screened.

For the full list of films being shown at JIFF 2013 please follow the link provided here, which amongst other things features a wonderful focus on Indian films in a category titled ‘Beyond Bollywood’. Yet as Hanguk Yeonghwa is concerned with Korean films specifically, here’s a rundown of the ten ‘Korean Films in Competition’.

51+

51+

51+

Director: Jung Yong-taek (정용택)

Synopsis: 51+ explores the lives of musicians who perform in the famous Hongdae area of Seoul, a hotspot for indie bands and emerging talent. Yet as the area has become more popular and big businesses have moved in, aspiring musicians are forced out and must take opportunities where they can.

Cheer Up Mr. Lee (힘내세요, 병헌씨)

Cheer Up Mr. Lee (힘내세요, 병헌씨)

Cheer Up Mr. Lee (힘내세요, 병헌씨)

Director: Lee Byeong-hun (이병헌)

Synopsis: The film follows Byeong-heon, a young aspiring film-maker who endures seemingly constant disappointment as he attempts to establish himself. The film purports to be something of an amalgamation of docu- and mockumentary set in the film world.

Dancing Woman (춤추는 여자)

Dancing Woman (춤추는 여자)

Dancing Woman (춤추는 여자)

Directors: Park Sun-il (박선일), Park Jun-hee (박준희), Ryu Jae-mi (유재미), Jo Chi-young (조지영), Choo Kyeong-yeob (추경엽)

Synopsis: Dancing Woman is an omnibus comprised of a variety of different genres and themes. Apparently, the film employs modern dance techniques during each narrative, and looks to be an interesting experimental piece.

Dear Dolphin (환상속의 그대)

Dear Dolphin (환상속의 그대)

Dear Dolphin (환상속의 그대)

Director: Kang Ji-na (강진아)

Synopsis: Employing a mixture of fantasy and reality in exploring love and death, Dear Dolphin looks set to be one of the more surreal offerings from the festival. The trailer can be viewed below:

December (디셈버)

December (디셈버)

December (디셈버)

Director: Park Jeong-hoon (박정훈)

Synopsis: December (디셈버) is an exploration of relationships and how they shift and change over time. At 73 minutes it’s quite short for a feature, yet as one of the few films focusing primarily on relationships it could be one of the more interesting dramatic films at the festival.

Echo of Dragon (용문)

Echo of Dragon (용문)

Echo of Dragon (용문)

Director: Lee Hyun-jung (이현정)

Synopsis: The description of Echo of Dragon is quite ambiguous, even labelled as a ‘peculiar drama’. With it’s off-the-wall themes – including repressed desires – and ‘twisted’ imagery, the film has the potential to be a boundary-pushing wildcard.

Grandma-Cement Garden (할매-시멘트정원)

Grandma-Cement Garden (할매-시멘트정원)

Grandma-Cement Garden (할매-시멘트정원)

Director: Kim Ji-gon (김지곤)

Synopsis: The human rights orientated Grandma-Cement Garden explores the forced relocation of elderly citizens in Busan. Their trials, lifestyles and memories are portrayed until their inevitable move, and as such could be a success with its political scandal/human interest angle.

Groggy Summer (그로기 썸머)

Groggy Summer (그로기 썸머)

Groggy Summer (그로기 썸머)

Director: Yun Su-ik (윤수익)

Synopsis: Groggy Summer is concerned with the pressures of Korean society, and their impact on a creative wannabe poet. The dissection of culture and pressure on Korean youth is an intriguing and timely premise, and could tap into cultural anxieties.

Lebanon Emotion (레바논 감정)

Lebanon Emotion (레바논 감정)

Lebanon Emotion (레바논 감정)

Director: Jung Young-heon (정영헌)

Synopsis: The description of Lebanon Emotion is incredibly vague, but it appears to be an exploration of a variety of human emotions that occur in different situations. Director Jung has helmed several short films during his career, so it will be interesting to see what he achieves with feature length material.

My Place (마이 플레이스)

My Place (마이 플레이스)

My Place (마이 플레이스)

Director: Park Moon-chil (박문칠)

Synopsis: My Place is an interrogation of the differences between contemporary and traditional Korea, focusing on one particular family unit. The ideological differences between generations isn’t particularly original, yet as single-motherhood forms part of the film it could signal a fresh approach on the subject.

Festival News Jeonju International Film Festival (제14회 전주국제영화제) Korean Festivals 2013