In an iconic scene, Sang-goo begins protesting in central Seoul

Another Promise (또 하나의 약속) – ★★★☆☆

Another Family (또 하나의 약속)

Another Promise (또 하나의 약속)

Another Promise (AKA Another Family) (또 하나의 약속) arrived in Korean cinemas in February on a wave of controversy. Based on the true story of a young woman who contracted leukemia while working at a Samsung semiconductor plant, and her father’s subsequent battle to bring the chaebol (conglomerate) to justice, the film was mired in difficulties before it even began. With production companies refusing to fund the film writer/director Kim Tae-yoon (김태윤) turned to crowdfunding, and the resulting flood of private donations helped Another Promise to become the first film in Korean cinematic history to be fully fund in this manner. Furthermore, popular actors including Park Cheol-min and Kim Gyoo-ri offered to appear in the film for free which helped to generate even greater public interest.

Premiering at the 2013 Busan International Film Festival to favourable reviews, Another Promise received global attention for challenging the most powerful company in Korea, prompting an article from The Guardian which went viral amongst Korean film enthusiasts. Later, when the film was finally granted a nationwide release, Another Promise was again the victim of controversy when it became widely reported that Megabox and Lotte Cinema, two of Korea’s biggest cinema chains, were accused of suppressing the number of screens on which the film was to be played. Despite huge public interest and advance ticket sales, The Hankyoreh reported that Megabox reduced the number of screens from 15 to 3 two days before release (which subsequently changed after public outcry), while Yonhap News stated Lotte Cinema allocated a measly 21 out of 99 theaters to showing the film and that most screenings occurred during early morning or late at night. Yet despite being being shown on a paltry 192 screens throughout February (in contrast, Miss Granny had 1024), Another Promise was the 8th biggest film of the month which is a remarkable achievement indeed. Yet controversy aside, is Another Promise any good?

Taxi driver Sang-goo teams with labor rights worker Nan-joo to take on the conglomerate

Taxi driver Sang-goo teams with labor rights worker Nan-joo to take on the conglomerate

Taxi driver Sang-goo (Park Cheol-min (박철민) is thrilled when his daughter Yoon-mi (Park Hee-jeong (박희정) is offered a job at the Jinsung semiconductor plant. As one of the leading companies in Korea, to be a worker at Jinsung is considered a great boon particularly for a humble family. Yet when Yoon-mi returns home months later extremely ill her worried family take her to hospital, where she is diagnosed with leukemia. As representatives from Jinsung arrive demanding paperwork to be signed and using money as bribes, Sang-goo is determined to discover the cause of his daughter’s disease. Teaming up with labor rights worker Nan-joo (Kim Gyoo-ri (김규리), the duo track down other sick workers and informants in a desperate attempt to finally bring the conglomerate to justice.

Another Promise is a film that very much wears its heart on its sleeve, which is both a blessing and a curse. As it is based on a true story, Another Promise is of course a highly emotional film that undoubtedly resonates strongly, particularly with Korean audiences. However director Kim’s decision to employ melodrama at almost every opportunity undermines the strength of the film’s message, which is a great shame. The most powerful scenes are also the most understated, in which the shocking abuses of power and the traumatized expressions of victims are allowed to speak for themselves, effectively conveying the full strength of the story. Yet far too often melodramatic devices are utilised, and over-simplified caricatures of ‘the perfect family’ and ‘the villain’ are expressed, which tends to make the film feel contrived while the direction and camerawork are competent yet akin to a TV film, also serving to weaken the importance of the story. That said, when scenes are done well they are utterly compelling and poignant, rarely failing to be tear-inducing.

In an iconic scene, Sang-goo begins protesting in central Seoul

In an iconic scene, Sang-goo begins protesting in central Seoul

Holding the film together is veteran actor Park Cheol-min, who arguably gives a career-best performance as the bereaved father. Park has a tendency to overact and has often been typecast in goofy supporting roles due to this, yet he carries Another Promise on his shoulders extremely well. He occasionally slips into his old habits early in the film yet he hits his stride shortly after, providing a remarkably restrained and emotionally charged performance. His speeches are particularly effective as he solemnly fights for justice, and Park’s sincerity continually forces the film to be compelling.

Unfortunately the same cannot be said for the supporting cast who are generally given quite meager roles. Kim Gyoo-ri is surprisingly given sparse screen time as labor rights worker Nan-joo, particularly given her status, although she competently fills the role with the little she’s been given. Other supporting actors fare less well as they tend to serve the purpose of siding with either party, with attempts to expand their backstories proving rather unengaging as there are so many of them it’s impossible to form emotional connections with them all.

Sang-goo gives compelling speeches about the importance of justice and accountability

Sang-goo gives compelling speeches about the importance of justice and accountability

Another Promise (AKA Another Family) (또 하나의 약속) is an important landmark in Korean cinematic history as the first fully crowdfunded film, and it’s clear writer/director Kim Tae-yoon had no choice but to do so given the subject matter. Based on the true story of a girl who contracted leukemia by working at a Samsung plant and her father’s fight for justice, the film has been mired in controversy from the beginning. The result is a highly emotionally charged drama that is often tear-inducing, yet the addition of melodramatic contrivances tends to undermine the film’s message. Yet thanks to a career best performance by Park Cheol-min, Another Promise is a consistently compelling film.

★★★☆☆

Reviews
The 18th Busan International Film Festival

BIFF 2013: Korean Cinema Today – Panorama

The 18th Busan International Film Festival

The 18th Busan International Film Festival

For exciting new Korean films, the Korean Cinema Today program at the Busan International Film Festival (BIFF) highlights some of the best and latest productions emerging from the industry.

Korean Cinema Today is separated into two sub-categories – Panorama and Vision. While Vision explores the latest independent films and exciting new filmmaking talent, Panorama showcases some of the big domestic and internationally acclaimed films, as well as more high profile world premieres.

The 14 films in Panorama 2013 contains some of the biggest names working in the industry today. For arthouse fans, Kim Ki-duk’s highly controversial Moebius, as well as two Hong Sang-soo films – Nobody’s Daughter Haewon and Our Sunhi – make appearances. Two directorial debuts are included in the form of superstar Ha Jeong-woo’s Fasten Your Seatbelt, and veteran actor Park Joong-hoon’s Top Star. King of Pigs director Yeon Sang-ho’s latest animation The Fake is featured. There are also exciting new projects that involve crowdfunding, human rights issues, and the debut of K-pop idol Lee Joon from MBLAQ in a lead role.

For the lowdown on all the films within the sub-category, please see below.

Korean Cinema Today – Panorama

Abbi (애비)

Abbi (Twisted Daddy) (애비)

Abbi (Twisted Daddy) (애비)

Director: Jang Hyun-soo (장현수)

Synopsis: Abbi – or rather, Twisted Daddy – is a drama about a father whose dedication to his son becomes out of hand. Working hard to ensure his son can study law and become successful, the aging father risks everything.

Another Family (또 하나의 가족)

Another Family (또 하나의 가족)

Another Family (또 하나의 가족)

Director: Kim Tae-yun (김태윤)

Synopsis: Crowdfunding was sourced to produce this real life legal drama about a woman who contracts leukemia while working at a Samsung factory. The film follows the family’s efforts overcome the disease as well as the corporation responsible.

The Berlin File (베를린)

The Berlin File (베를린)

The Berlin File (베를린)

Director: Ryoo Seung-wan (류승완)

Synopsis: The Berlin File was a big hit upon release earlier his year. With an all-star cast including Ha Jeong-woo and Jeon Ji-hyeon, the action-thriller showcased director Ryoo’s style like never before. For the full review, please click here.

The Fake (사이비)

The Fake (사이비)

The Fake (사이비)

Director: Yeon Sang-ho (연상호)

Synopsis: Following on from his hugely successful film King of Pigs, director Yeon Sang-ho employs his biting cultural critique stylisation to explore corrupted religious officials who are holding a small town to ransom.

Fasten Your Seatbelt (롤러코스터)

Fasten Your Seatbelt (롤러코스터)

Fasten Your Seatbelt (롤러코스터)

Director: Ha Jeong-woo (하정우)

Synopsis: Fasten Your Seatbelt – or ‘Rollercoaster‘ in Korean – marks superstar Ha Jeong-woo’s directorial debut. The comedy sees mismatched characters collide when their plane encounters a typhoon.

God's Eye View (시선)

God’s Eye View (시선)

God’s Eye View (시선)

Director: Lee Jang-ho (이장호)

Synopsis: Lee Jang-ho was a prominent director during the 1970s and ’80s, and after an 18 year hiatus has re-entered filmmaking with God’s Eye View. The film explores a group of missionaries whose faith wanes after abduction by Islamic rebels.

Genome Hazard (무명인)

Genome Hazard (무명인)

Genome Hazard (무명인)

Director: Kim Sung-su (김성수)

Synopsis: A co-production between Korea and Japan, sci-fi Genome Hazard depicts a man seemingly losing his sanity following the apparent death of his wife. Director Kim previously worked with Park Chan-wook and Son Il-gon.

If You Were Me 6 (어떤 시선)

If You Were Me 6 (어떤 시선)

If You Were Me 6 (어떤 시선)

Directors: Min Yong-keun (민용근), Lee Sang-cheol (이상철), Shin A-ga (신아가), Park Jung-bum (박정범)

Synopsis: Produced by the National Human Rights Commission, this omnibus film represents radically different stories about people living on the fringes of society, and the hardships they endure.

Moebius (뫼비우스)

Moebius (뫼비우스)

Moebius (뫼비우스)

Director: Kim Ki-duk (김기덕)

Synopsis: Moebius was marred by controversy before it was released.  Kim Ki-duk’s psychosexual thriller examines a family torn apart by adultery, penis dismemberment, and incest.

My Boy (마이보이)

My Boy (마이보이)

My Boy (마이보이)

Director: Jeon Kyu-hwan (전규환)

Synopsis: Town trilogy and The Weight director Jeon Kyu-hwan explores the life of an impulse disorder patient and his long-suffering family in My Boy. cultural attitudes towards mental health and the medical system are examined.

Nobody’s Daughter Haewon (누구의 딸도 아닌 해원)

Nobody’s Daughter Haewon (누구의 딸도 아닌 해원)

Nobody’s Daughter Haewon (누구의 딸도 아닌 해원)

Director: Hong Sang-soo (홍상수)

Synopsis: University student Haewon feels lonely following her mother’s departure for Canada, and contacts married lover – and professor – Seong-joon. A story of a young woman’s quest for identity.

Our Sunhi (우리 순희)

Our Sunhi (우리 순희)

Our Sunhi (우리 순희)

Director: Hong Sang-soo (홍상수)

Synopsis: Sunhi is a film student who, wishing to continue her studies in America, seeks a recommendation letter from her professor. Yet in doing so, she unwittingly allows 3 different men attempt to advise her over her future.

Rough Play (배우는 배우다)

Rough Play (배우는 배우다)

Rough Play (배우는 배우다)

Director: Shin Yeon-shick (신연식)

Synopsis: A sequel of sorts to Rough Cut, Rough Play is concerned with a rising film star who becomes involved with gangsters, leading to a downward spiral. Based on an idea by Kim Ki-duk, the film features K-pop idol Lee Joon from MBLAQ in the lead role.

Top Star (톱스타)

Top Star (톱스타)

Top Star (톱스타)

Director: Park Joong-hoon (박중훈)

Synopsis: Veteran actor Park Joong-hoon makes his debut with Top Star, a film about a talent manager who suddenly becomes a superstar. Yet as his popularity increase, so does his arrogance and determination to stay at the top.

 

Busan International Film Festival (제18회 부산국제영화제) Festival News Korean Festivals 2013