Day 3 of the London Korean Film Festival was based solely at the Institute of Contemporary Arts (ICA), with a backdrop of anti-capitalist protests through the Trafalgar Square and the Westminster area. Except for the film screenings themselves, it was a fairly uneventful day.
First was a showing entitled ‘Mise-en-scene’, which comprised of short films including Park Chan-kyong‘s (박찬경) and Park Chan-wook‘s (박찬욱) Night Fishing (파란만장), Negligence of Duty (Social Service Agent), Promise, Hideout and City.
Detective K (조선명탐정: 각시투구꽃의 비밀) was the second screening, a comedy set during the Joseon Dynasty about corrupt government officials.
Lastly was festival favorite Dance Town (댄스 타운), but before it began, film critic and festival programmer Jeon Chan-il (전찬일) introduced the film. He informed the audience that Dance Town was the third film in a trilogy, preceded by Mozart Town (모차르트 타운, 2008) and Animal Town (애니멀 타운, 2009). The films examine city life in a low-budget, social realist aesthetic for which director Jeon Kyu-hwan (전규환) has become renowned. Dance Town is something of a festival darling, as the film has been invited to several notable international festivals and received plenty of awards and critical acclaim. Jeon Chan-il explained that he and the director are friends, and that Jeon Kyu-hwan wishes for audiences to form opinions of Dance Town in a non-political fashion, and to focus on the characters and situations that arise. This is/was easier said than done, as the film is extremely critical in its examination of the society/culture in Seoul and the governmental treatment of refugees.